Bruce Conner

  • Bruce Conner – Mongoloid (1978)

    Bruce Conner1971-1980ExperimentalUSA

    Quote:
    A documentary film exploring the manner in which a determined young man overcame a basic mental defect and became a useful member of society. Insightful editing techniques reveal the dreams, ideals and problems that face a large segment of the American male population. Educational. Background music written and performed by the Devo orchestra.–B.C.Read More »

  • Bruce Conner – Ten Second Film (1965)

    USA1961-1970Bruce ConnerExperimental
    Ten Second Film (1965)
    Ten Second Film (1965)

    Quote:
    When Conner was commissioned to design the poster for the 1965 New York Film Festival he constructed TEN SECOND FILM, which he intended to act as its television commercial and to precede the film programs in the theater. It was a public ‘Leader’ in that it was composed, like the poster, of a series of ten strips of film (each 24 frames long) of count-down leader, seen as fundamental heraldry of motion picture exhibition. The leaders of the Festival, however, felt it was too risky to submit the public to this secret image of their heritage.” – Anthony ReveauxRead More »

  • Bruce Conner – Cosmic Ray (1962)

    1961-1970Bruce ConnerExperimentalShort FilmUSA

    Cosmic Ray (1962)

    Experimental short uses Ray Charles’ “What’d I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.Read More »

  • Bruce Conner – A Movie (1958)

    1951-1960Amos Vogel: Film as a Subversive ArtBruce ConnerExperimentalUSA

    Quote:
    The singular title of Bruce Conner’s A Movie positions this avant-garde short as though it were a prototypical example for the entire medium. In fact, Conner’s film is the self-conscious inheritor of a particular tradition within the movies, a particular use to which moving pictures have been put: the filmic spectacle. Where Conner’s film, constructed entirely from a wide variety of found footage, diverges from this tradition is in its recognition that in spectacle, the content hardly matters so much as the sensations conveyed through the film.Read More »

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