Bruno Ganz

  • Claude Goretta – La provinciale AKA The Girl From Lorraine (1981)

    Draughtswoman Nathalie Baye moves to Paris. This is the tale of her sad encounters and experiences, and the dignity she retains.
    Aside from the subdued and true-to-life quality that Claude Goretta’s movies share – in my opinion – with his fellow Swiss Alain Tanner, this is a deeply emotional and depressing film. Nathalie Baye is – as usual – incredibly beautiful, moving and convincing.Read More »

  • Jean-François Adam – Retour à la bien-aimée AKA Return to the Beloved (1979)

    Julien seeks to reconquer Jeanne, his ex-wife, of whom he is separated and who lives with another man. He is prepared to go far to make it happen.Read More »

  • Theodoros Angelopoulos – Trilogia II: I skoni tou hronou AKA The Dust of Time (2008)

    Quote:
    A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada and the USA. The main character is Eleni, who is claimed and claims the absoluteness of love. At the same time the film is a long journey into the vast history and the events of the last fifty years that left their mark on the 20th century. The characters in the film move as though in a dream. The dust of time confuses memories. A searches for them and experiences them in the present. (Written by Theo Angelopoulos)Read More »

  • Patricia Mazuy – Sport de filles (2011)

    A horsewoman in search of a steed. Gracieuse, a farmer’s daughter, is disgusted at the way the horses she trained to the top levels of jumping are taken away from her. She meets the legendary trainer Franz Mann, who now manages a rich landowner’s estate, and with his help starts over in the world of dressage. But just as she feels she has finally found the right horse, she realizes that talent counts for nothing when facing the personal and high financial stakes of the game.Read More »

  • Lars von Trier – The House That Jack Built (2018)

    Boundary-pushing cinematic visionary Lars von Trier (Antichrist) returns with one of his most daring, masterfully provocative works yet. In five audacious episodes, failed architect and arch-sociopath Jack (Matt Dillon) recounts the elaborately orchestrated murders-each, as he views them, a towering work of art-that define his “career” as a serial killer. Mixing pitch black humor, transcendent surrealism, and renegade musings on everything from history to architecture to cinema, von Trier fashions a radical, blazingly personal inquiry into violence, art, and the twin acts of creation and destruction. With Uma Thurman, Riley Keough, and Bruno Ganz.Read More »

  • Peter Handke – Die Linkshändige Frau AKA The Left-Handed Woman (1978)


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    S y n o p s i s
    A woman living in the Paris suburbs struggles with a loveless marriage and apathy toward her family and friends as she spends her days quietly wandering about her house. Austrian playwright and novelist Peter Handke contributed screenplays to a number of films by director Wim Wenders (Wings of Desire, The Goalie’s Anxiety at the Penalty Kick). Here (in a film that Wenders produced), he provides both the scenario (adapting his novel of the same name) and direction for this meditative examination of domestic ennui.Read More »

  • Theodoros Angelopoulos – Mia aioniotita kai mia mera AKA Eternity and a Day (1998)

    Quote:
    “Eternity and a Day” won an overdue Palme d’Or at last year’s Cannes International Film Festival for the Greek director Theo Angelopoulos, whose style of drifting metaphysical reverie is at its most accessible here. All things being relative, this is a dreamy, lulling film but also a more concise and straightforward one than the magnificently grandiose “Ulysses’s Gaze”, the Angelopoulos opus that directly preceded it. “Eternity and a Day” is simpler, the haunting poetic valedictory of an artist whose memory leads him across the landscape of his life during his last day on earth.Read More »

  • Wim Wenders – Der Himmel über Berlin aka Wings of Desire (1987)

    Quote:
    Wim Wender’s deliberately paced, hauntingly realized contemporary masterpiece, Wings of Desire is, all at once: a political allegory for the reunification of Germany, an existential parable on a soul’s search for connection, a metaphor for the conflict between, what Friedrich Nietzsche defines as, the Appolinian intellect and the Dionysian passion, a euphemism for creation. A dispassionate angel stands atop a statue on a winter morning, watching over Berlin. His name is Damiel (Bruno Ganz): a spiritual guide for the desperate, an eternal spectator of life. The world is gray through his eyes, unable to experience the subtlety of the hues and textures of physical being. Read More »

  • Wim Wenders – Der Amerikanische Freund aka The American Friend (1977)

    Quote:
    A convoluted and cloudy murder mystery, The American Friend succeeds because of, and in spite of, its myriad ambiguities. Ripley (Dennis Hopper) drops by Derwatt (Nicholas Ray), a painter who’s faked his own death so that he can sell his works at a premium. This is a lucrative partnership since Ripley passes on the pictures in Europe while Derwatt lives his life out in peace. In a Berlin auction house Derwatt’s latest work is snapped up for a mighty sum, pleasing Ripley. On the way out he briefly chats with the happy purchaser and his colleague Jonathan Zimmermann (Bruno Ganz), who plys his trade as a restorer/frame-maker. Jonathan appears quite aggressive, hinting that he “knows” about Ripley and mentioning that the blues of the picture are subtly different from those of earlier works. Back at his ostentatious villa, Ripley is asked to fulfil a debt by shifty-looking Raoul Minot (Gérard Blain). He requires someone totally innocent to undertake a contract killing, leaving no ties to Raoul.Read More »

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