A 1979 war film about the historical Battle of Isandlwana between British and Zulu forces in 1879 in South Africa. The screenplay was by Cy Endfield, from his book, and Anthony Story. The film was directed by Douglas Hickox. The score was composed by Elmer Bernstein.
Zulu Dawn is a prequel to Zulu, released in 1964, which depicts the historical Battle of Rorke’s Drift later the same day, and was written and co-directed by Cy Endfield.Read More »
PLOT: At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath.Read More »
Quote: Apache was based on Paul I. Wellman’s novel Broncho Apache, which in turn was inspired by a true story. Burt Lancaster plays Massai, a lieutenant of the great Apache warrior Geronimo (here depicted as an old man, played by Monte Blue). Though his tribe has signed surrender terms with the conquering whites, Massai refuses to do so. He escapes from a prison train and conducts a one-man war against the white intruders-and against some of his own people. Along the way, he claims Nalinle (Jean Peters), whom he previously regarded as a traitor to his cause, as his wife. John McIntire plays famed Indian scout Al Sieber, who-in this film, if not in real life-is sympathetic to the Indians’ plight and Massai’s single-purposed cause. The real-life counterpart to Massai was killed by Sieber’s minions after agreeing to call off the hostilies; United Artists objected to this, forcing producer/star Burt Lancaster to shoot an unconvincingly happy ending.Read More »
Burt Lancaster’s megawatt grin and acrobatic athleticism light up this grandly entertaining swashbuckler. He tumbles, vaults, and swings his way through the role of a Robin Hood-esque rogue who executes dazzling feats of derring-do as he and his rough-and-ready band of mountain men launch a rebellion against the occupying German gentry in 12th-century Italy. The filmmaker’s powers as an aesthetician are on full display in the exquisite Technicolor compositions, including one particularly striking moment of Tourneurian shadow play: a climactic duel in the dark wrought in finely shaded chiaroscuro.Read More »
The Unforgiven is a 1960 American western film directed by John Huston. It stars Burt Lancaster, Audrey Hepburn, Audie Murphy, Charles Bickford and Lillian Gish. The story is based upon a novel by Alan Le May.The film, uncommonly for its time, spotlights the issue of racism against Native Americans and people believed to have Native American blood in the Old West. The movie is also known for problems behind the scenes. John Huston often said this was his least satisfying movie.Read More »
One of the few bona fide counter-cultural films to be produced by a major studio, The Swimmer is a sun-scorched and surreal suburban satire that boasts a fine performance from Burt Lancaster (Castle Keep, Buffalo Bill and the Indians) as Ned Merrill, the all-American man who one day determines to swim home to his Connecticut mansion via a series of pools in his neighbourhood.
Directed by Frank Perry (Diary of a Mad Housewife) imbues Eleanor Perry’s (David and Lisa, Ladybug Ladybug) adaptation of John Cheever’s short story with stunning expressionistic flourishes, creating a true masterpiece of cinema.Read More »
Quote: The Leopard is more than a tad too pleased by its own spots, but in this case the source material and its director’s intentions were almost accidentally an appropriate match. The film is based on Giuseppe Tomasi di Lampedusa’s 1958 bestselling historical novel, which, all literary credentials aside, probably hit the exact same nerve in Italy that Margaret Mitchell’s Gone with the Wind did in America 20-odd years prior. Like the 1939 MGM adaptation of Mitchell’s Civil War soap opera, The Leopard seems more interested in the behavior of textiles and the performance of its own art director than it is with accurately depicting a truly historic national moment.Read More »
Quote: The year is 1972. Master Italian filmmaker Luchino Visconti is struck down by a stroke, rendering him, one would think, unable to continue making films—and this just two years after hitting a late-career high point with Death in Venice. But like many artists kept alive by their muse, Visconti heroically persevered, managing to complete two more films before finally succumbing to a heart attack in 1976. Adaptability being a key ingredient to any sort of artistic longevity, Visconti took his ailments not as hindrance, but as a challenge toward the realization of a new project. Taken by a story written by past collaborator Enrico Medioli and intrigued by the cinematic restrictions afforded such an intimate character study, Visconti—now very limited in his physical movements and activity—saw both personal and logistical promise in this tale of aging, nostalgia, and generational divide, which was entitled Conversation Piece after an illustrated novel of family portraits of the same name by Mario Praz.Read More »
Steve Thompson (Burt Lancaster) returns home after a few years of knocking around the country following his divorce from good-time girl Anna (Yvonne De Carlo). Getting his old job back driving an armored car, and not even convincing himself that he’s making a new start, he also wants his old wife back.Read More »