AMG: Shanghai Blues combines romantic comedy, slapstick, music, and several classic coincidences (a favorite ploy of director and writer Tsui Hark to tell the story of a man (Kenny Bee) and a female dancer (Sylvia Chang) who meet under a Shanghai bridge in 1937 as they seek shelter from the Japanese bombing of the city. They are immediately drawn to each other and make a pact to meet under the bridge again when the war has ended. But their plans are thwarted and ten years later, the man gets an apartment in Shanghai (where he works as a musician, songwriter, and clown) unaware that the dancer — for whom he has been searching — is his downstairs neighbor. Meanwhile, a young, bubbly woman makes friends with the dancer at the club where she performs and inadvertently causes a considerable mix-up that at first looks fated to keep the star-crossed lovers apart. Read More »
Tag Archives: Cantonese
Set in Hong Kong, 1962, Chow Mo-Wan is a newspaper editor who moves into a new building with his wife. At the same time, Su Li-zhen, a beautiful secretary and her executive husband also move in to the crowded building. With their spouses often away, Chow and Li-zhen spend most of their time together as friends. They have everything in common from noodle shops to martial arts. Soon, they are shocked to discover that their spouses are having an affair. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful mates. Read More »
Critically-lauded but somewhat distant drama from Ann Hui.
Review by Kozo (taken from Love HK FIlm):
Award-winning political drama from Ann Hui treads on rich territory and results in a noble, but emotionally lacking effort. Using the work of real-life activist Father Franco Mella (played here by Anthony Wong) as a guideline, Ordinary Heroes moves from the plight of the boat people through the tragedy at Tiananmen Square with a sweeping view of political activism in Hong Kong.
The situations and storytelling are top notch but ultimately the film proves a better portrait than a story. The film doesn’t try to educate viewers about Hong Kong’s political history, and instead concentrates on a long-unrequited romance between Taiwanese actor Lee Kang-Sheng and Loletta (now Rachel) Lee. Sadly, that plotline proves of tenuous interest, which isn’t helped any by Lee Kang Sheng’s obviously dubbed acting. The relationships, while affecting, don’t truly reach a conclusion in the film, which is sad because it seems that Hui is reaching for one. Read More »
Yiu-Kwok is a high school teacher, having a perfect family. Good times don’t last long, when a student, Choy-Nam, falls in love with him. For dealing with a relationship with Mr. Seng, a beloved teacher of the couple, his wife Man-Ching requests a leave for a month. A midlife crisis mixing with pressure sends him into an emotional tailspin. Everything seems to lead him towards Choy-Nam, the forbidden fruit. History seems to repeat itself. Read More »
A social worker falls in love with a teenager, and remembers an affair she had with a professor while she was at university.
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“I spent a year at the Vidal Sassoon headquarters,” brags Lydia (Brigitte Lin), a sprightly social worker trying to impress Tian-An (David Ng), a stock market whiz kid and aspiring hairstylist. It’s a fitting overture for a movie brimming with striking hair, from Tian-An’s very 1987 mullet to Cai-Wei’s very 1966 bob-with-bangs, from Dr. Zhang’s (George Lam) caterpillar mustache to Lydia’s butch-adjacent boy-cut. It works; Tian-An falls for Lydia, and despite their nearly 20-year age difference, their relationship flourishes in health and happiness—or does it? Read More »
A young woman is forced to marry an older man who runs a roadhouse saloon. She is constantly being raped by her husband, a drunken loutish brute. She harbors a young man wanted by the police in a murder case, and soon the fugitive and the young wife have a torrid affair as she continues to hide him from the authorities. Read More »
Set in a surprisingly minimalist San Francisco, Patrick Tam’s stylish slasher movie manages to evoke both Antonioni and Mario Bava in this tale of a ravishing young co-ed (Brigitte Lin) whose studly boyfriend (Chang Kuo-chu) turns into a demented stalker after the suicide of his sister. Read More »