Tag Archives: Carlos Saura

Carlos Saura – La madriguera AKA Honeycomb (1969)

Synopsis:
‘Teresa and Pedro have been married for five years and are settled in a routine, and a rather sterile home. He manages – and possibly owns – a factory, while she is a lady of leisure. The arrival of a collection of furniture from Teresa’s childhood family home triggers a nightmare and subsequent sleepwalking, followed by regressive and childish behaviour. Teresa replaces their furniture (in keeping with the modern – verging on Brutalist – architecture of their house) with what has arrived, which is distinctly different in style (dark wood and richly coloured fabrics). The film then settles into a series of extended role play ‘games’ between husband and wife that gradually get out of hand.’
– Rebecca Naughten Read More »

Carlos Saura – La Caza AKA The Hunt (1966)

Quote:
Museo Valenciano de la Ilustración y la Modernidad writes:
José, Paco and Luis, three middle-aged men who fought in the “national” side during the Spanish Civil War, meet in a village of Castilla to hunt rabbits, accompanied by young Enrique. But the hunting journey will stir up deep latent frustrations and rancours within the group. La Caza, which won the Silver Bear for the Best director in Berlin, was compared by critics with the most avant-garde films of that period. It had a remarkable influence on directors such as Sam Peckinpah, who found in this film a source of stylistic and thematic inspiration. Read More »

Carlos Saura – Fados (2007)

Quote:
Having taken on flamenco (“Sevillanas”) and tango (“Tango”), Carlos Saura tackles a third great melancholy music style, directing “Fados,” a celebration of Portugal’s classic, lamenting acoustic folk songs. The film combines fado performances from top artists, dance from Portugal, Brazil and Cape Verde and archive footage. In the song centrepieces, artists deliver contemporary versions of fado classics. Lined up fadistas include young female star Mariza as well as Grammy award-winner Carlos do Carmo. Renowned diva Amália Rodrigues is remembered through arquive footage while the exploration of fado’s influences and roots gives opportunities to embrace prestigious Brazilian performers Caetano Veloso, Chico Buarque and the emerging Cape Verdean star Lura. Read More »

Carlos Saura – Antonieta (1982)

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Moving back and forth between present and past, Antonieta tells the story of Antonieta Rivas Mercado – a writer, social activist, and important patron of the arts – against a backdrop of the political turmoils of the Mexican Revolution and its aftermath. Read More »