Cary Grant

A man and his wife decide they can afford to have a house in the country built to their specifications. It’s a lot more trouble than they think.Read More »

A chemist finds his personal and professional life turned upside down when one of his chimpanzees finds the fountain of youth.Read More »

Only Angels Have Wings is one of the most buoyantly entertaining movies in the American cinema. It is also a razor-sharp example of the action-oriented films of Howard Hawks, the wide-ranging auteur who would go on to make To Have and Have Not, Rio Bravo and Red River.Read More »

Synopsis:
American expatriate John Robie, living in high style on the Riviera, is a retired cat burglar. He must find out who a copycat is to keep a new wave of jewel thefts from being pinned on him. High on the list of prime victims is Jessie Stevens, in Europe to help daughter Frances find a suitable husband. The Lloyds of London insurance agent is using a thief to catch a thief. Take an especially close look at scene where Robie gets Jessie’s attention, dropping an expensive casino chip down the décolletage of a French roulette player.Read More »

Quote:
Thorne Smith is a name one hardly ever hears these days, and that’s a shame. In the 1920s and early ’30s, he was the popular author of a genre-defining series of novels in which mortal men broke out of their humdrum lives to embark on comic-erotic, supernaturally tinged adventures in the company of an exciting woman (or women). The most popular of these, Topper, was filmed in 1937, three years after Smith’s death. (Smith’s novel The Passionate Witch also became the basis for a classic film comedy, I Married a Witch (1942), and later the TV series Bewitched.)Read More »

Free-thinking Johnny Case finds himself betrothed to a millionaire’s daughter. When her family, with the exception of black-sheep Linda and drunken Ned, want Johnny to settle a career in finance, he rebels, wishing instead to spend the early years of his life on “holiday.” With the help of his friends Nick and Susan Potter, he makes up his mind as to which is the better course, and who he’d rather take the leap with.Read More »

Dr. Maurice Lamar is a noted plastic-surgeon who makes his rich clients beautiful. He makes Eve Caron, the wife of Marcel Caron, so satisfied with his skilled hands that she leaves Marcel and marries Maurice. They go on a Mediterranean honeymoon, where he soon finds the effects of his own beauty regulations are more than he can handle. He bids adieu to his new bride, wings it back to Paris with the intention of giving up his practice and becoming a scientific researcher…after winning back the love of his simple, unadorned secretary, Anne.

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At the start of WWII, Katie O’Hara, an American burlesque girl intent on social climbing, marries Austrian Baron Von Luber. Pat O’Toole, an American radio reporter, sees this as a chance to investigate Von Luber, who is suspected of having Nazi ties. As country after country falls to the Nazis, O’Tool follows O’Hara across Europe. At first he is after a story, but he gradually falls in love with her. When she learns that her husband is indeed a Nazi, O’Hara fakes her death and runs off with O’Toole. In Paris, she is recruited to spy for the allies; he uses a radio broadcast to make Von Luber and the Nazis look like fools.Read More »

Quote:
With this furiously witty comedy of manners, Katharine Hepburn revitalized her career and cemented her status as the era’s most iconic leading lady—thanks in great part to her own shrewd orchestrations. While starring in the Philip Barry stage play The Philadelphia Story, Hepburn acquired the screen rights, handpicking her friend George Cukor to direct. The intoxicating screenplay by Donald Ogden Stewart pits the formidable Philadelphia socialite Tracy Lord (Hepburn, at her most luminous) against various romantic foils, chief among them her charismatic ex-husband (Cary Grant), who disrupts her imminent marriage by paying her family estate a visit, accompanied by a tabloid reporter on assignment to cover the wedding of the year (James Stewart, in his only Academy Award–winning performance). A fast-talking screwball comedy as well as a tale of regret and reconciliation, this convergence of golden-age talent is one of the greatest American films of all time.Read More »