Charles Vanel

On a huge farm in the Vendee, the death of the patriarch leaves behind 3 brothers and a sister. The eldest brother refuses to consider dividing the property. In order to cement his hold on the family, he uses his authority to keep his siblings from marrying… La Ferme du pendu is a well-built, intense rural drama portraying the relentless determination of a man whose attachment to the land becomes a destructive obsession. It also serves as a near-documentary depiction of peasant life between the wars. Dréville keeps a certain distance from his characters and avoids all overblown drama. The cast is remarkable: Charles Vanel brings great intensity to the ensemble, but all the roles are perfectly portrayed. La Ferme du pendu was also the first credited film role for Bourvil, playing a small role as a shopkeeper which still allows him to sing his famous song, “Les Crayons” during the wedding scene.Read More »

Nouveau riche

In spite of a very poor rating, this film is really a killer! By far Jean Dreville’s most important film as well as one of the best Charles Vanel’s performances. First intended for Raimu, it seems that Vanel was finally a better choice and anyway if you give this movie a chance, he’s gonna blow your mind. Lord! What an actor!Read More »

An artist grows hateful of commercial demands on his questionable talents when his friend and artist commits suicide. He puts the blame for his friend’s death on an art critic and a shady art dealer. He is able to take out his frustrations on the pretentious critic at a party. When an elderly man moves into the boarding house, he brings a machine he invented that can make people realize their subconscious dreams…Read More »

In the nineteenth century, a young police captain, Langlois, is sent to a remote snow-covered village to investigate the disappearance of a girl. He is helped in his investigation by a local magistrate, who is convinced that the murderer is an ordinary man who has killed merely to relieve his boredom. When he finally confronts the killer, Langlois becomes aware of his own identity and discovers that he too has the impulse to take the lives of others…Read More »

Considering that it was made during a bleak and distressing period for France, Le Ciel est à vous is an astonishingly uplifting film with a message of unfettered hope for the future. It is not difficult to read director Jean Grémillon’s allegorical call to arms behind the rather anodyne tale about a Lindbergh-esque exploit, based on the real-life story of Andrée Dupeyron, the wife of a garage owner in Mont-de-Marsan. Released in February 1944, a few months before the Liberation, the film was enormously popular in France, galvanising the efforts of the Resistance and their covert supporters with its inspiring subtext. Although Jean Grémillon would go on to make three more notable films, Le Ciel est à vous was his last commercial success, the highpoint of his career before a rapid decline into obscurity.Read More »

Filmmaker Anatole Litvak was still one year away from his “breakthrough” picture Mayerling when he co-wrote and directed L’Equipage (The Crew). Charles Vanel and Annabella star respectively as a daring WW I aviator and his loving but neglected wife. Ostracized by the other pilots because of his recklessness and standoffishness, Vanel nonetheless befriends a young flyboy (Jean-Pierre Aumont). It is therefore a great source of consternation for Aumont when he discovers that the woman with whom he’s fallen in love is none other than Vanel’s wife Annabella.Read More »

Quote:
Set in central France, the film follows French resistance fighters who press the battle on the Germans. Along the way, they break into a prison and release some German prisoners, but discover there may be a spy deliberately planted to flush them all out.Read More »

IMDb:

Gaby Morlay is Irène, the wife of a famous and wealthy lawyer (Charles Vanel), who falls briefly for a young and handsome pianist (Georges Rigaud) while on vacations on the French Riviera. When she comes back to her married life in Paris, she falls prey to a blackmailer, the pianist’s jealous former mistress, while her husband’s behavior becomes more and more unpredictable… Charles Vanel is as usually very good as the betrayed and yet not so innocent husband, a part he has played often. Garboesque Gaby Morlay is less convincing (more theatrical) as his wife. I guess there is nothing to expect from this movie but its premise, which is a melodrama in the French pre-war upper bourgeoisie, with a set of good actors of that time (a special mention to Suzy Prim as the “mistress”, charmingly vulgar, a real Parisian bird), leading men in tuxedos and ladies dressed in lamé gowns and furs. Read More »