Daisy Granados

  • Tomás Gutiérrez Alea – Memorias del subdesarrollo AKA Memories of Underdevelopment (1968)

    Tomás Gutiérrez Alea1961-1970CubaDramaPolitics
    Memorias del subdesarrollo (1968)
    Memorias del subdesarrollo (1968)

    Quote:
    Tomás Gutiérrez Alea’s gutsy Memorias del Subdesarrollo (Memories of Underdevelopment) is a difficult work of political activism. This stirring blend of narrative fiction, still photography and rare documentary footage catalogs the many intricacies and contradictions of a bourgeois Cuban intellectual’s loyalty to Castro’s revolution. Though Alea himself was devoted to the cause, his films forever scrutinized the self-devouring nature of Castro’s Cuba. (Alea died in 1996 shortly after the one-two success of the Oscar-nominated Strawberry and Chocolate and Guantanamera.) If Mikhail Kalatozov’s I Am Cuba championed the need for revolution in the country, Memories contemplates the failure of the new government to recognize and negotiate the lingering bourgeois threat left in the wake of Fulgencio Batista’s fall.Read More »

  • Fernando Birri – Un señor muy viejo con unas alas enormes AKA A Very Old Man with Enormous Wings (1988)

    1981-1990CubaDramaFantasyFernando Birri

    Quote:
    An elderly man with wings is blown off course during a tropical storm in this symbolic fantasy. The Old Man (Fernando Birri) lands near a Caribbean island where a poor family gives him shelter in a hen-coop. Father Gonzaga (Luis Alberto Ramirez) is the skeptical priest who rushes to damn the creature. Soon the Old Man becomes the subject of curiosity seekers as Elisinda (Daisy Granados) and Pelayo (Asdrubal Melendez) start charging admission. A traveling carnival of human oddities camps near the Old Man as people flock to see the show. The Old Man is reduced to being an unwanted pet, and after six years, he mends his wings and flies away.Read More »

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