Intense, dreamlike, and poetic, The Angelic Conversation is one of the most artistic of Derek Jarman’s films. With his painter’s eye, Jarman conjured, in a beautiful palette of light, colour and texture, an evocative and radical visualisation of Shakespeare’s love poems.Read More »
A movie with no spoken dialogue, it is set against the music and lyrics of Benjamin Britten’s “War Requiem” which includes poetry by World War I soldier Wilfred Owen reflecting the horrors of war. There is no linear story or dialo…Read More »
A retelling of the life of the celebrated 17th-century painter through his brilliant, nearly blasphemous paintings and his flirtations with the underworld.Read More »
Synopsis
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the nature and limits of language. A series of sketches depict the unfolding of his life from boyhood, through the era of the first World War, to his eventual Cambridge professorship and association with Bertrand Russell and John Maynard Keynes. The emphasis in these sketches is on the exposition of the ideas of Wittgenstein, a homosexual, and an intuitive, moody, proud, and perfectionistic thinker generally regarded as a genius.Read More »
Quote: Pier Paolo Pasolini takes up with a young man and journeys to Ostia, and his death.
Quote: Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolin’s own poetry, as read by Jarman.Read More »
Quote: A collection of Super 8 films shot by Derek Jarman between 1972 and 1975, edited to the music of Throbbing Gristle.
Derek Jarman used some of his 70s home movie footage to produce this wonderful piece of exploitational avantgarde cinema. Actually the original material has been slowed down to a speed of 3-6 frames, then Jarman added colour effects and the pulsating, menacing score by Industrial supergroup Throbbing Gristle
The result is a piece of art not to dissimilar to Jarman´s painting work in using found footage as elements of memory and mind that resemble ideas reflected in the Cabala and in C.G. Jung`s writings about an archetypical past that is hidden in everyone of us.Read More »
Produced for the 1984 London Film Festival, Derek Jarman’s Imagining October is a dreamlike meditation on art and politics in the final years of the Cold War. In this film Jarman explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928.Read More »
Quote: A powerful experience which delves into territories of madness and transcendence, The Garden is a statement about director Derek Jarman’s anger over the AIDS crisis. Produced by James Mackay (Blue, The Kingdom of Shadows), it is an intellectual, thought-provoking, and visually imagination experience that fans of the filmmaker won’t want to miss. A must-see gem.Read More »