Tag Archives: Don Ameche

Frank Ryan – So Goes My Love (1946)

Plot:Jane Budden, a country girl goes to the big city, determined to find and marry a wealthy man. Instead, she meets and marries Herman Maxim, a struggling inventor. After their marriage, his inventions become successful. Their happiness is complete when they have two children, and Maxim’s portrait is given a place in the National Hall of Science. Written by Les Adams Read More »

Mitchell Leisen – Midnight (1939)

Frank S. Nugent wrote:
‘Midnight,’ With Don Ameche and Claudette Colbert, Strikes a Seasonal High in Comedy at the Paramount

The ice went out of the river at the Paramount yesterday, and Spring came laughing in with “Midnight,” one of the liveliest, gayest, wittiest and naughtiest comedies of a long hard season. Its direction, by Mitchell Leisen, is strikingly reminiscent of that of the old Lubitsch. Its cast, led by Claudette Colbert, Don Ameche, John Barrymore and Francis Lederer, is in the best of spirits. Its script, by too many authors to mention, is a model of deft phrasing and glib narrative joinery; and its production, while handsome, never has been permitted to bulk larger than its players. The call is for three cheers and a tiger: the Paramount is back on Broadway again. Read More »

W.S. Van Dyke – The Feminine Touch (1941)

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Disgusted by having to pass “pinhead” football heroes in order for his college to soar to football victory, Professor John Hathaway (Don Ameche) takes his leave of Digby College. With his wife Julie (Rosalind Russell) in tow, Hathaway sets out to conquer Manhattan’s literary circles, his scholarly manuscript on the subject of “jealousy” tucked under his arm in the romantic comedy The Feminine Touch (1941). Read More »