Dustin Hoffman

  • Sidney Lumet – Family Business (1989)

    Sidney Lumet1981-1990CrimeThrillerUSA
    Family Business (1989)
    Family Business (1989)

    Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito’s son and Jessie’s grandson, who is bright, good-looking, and without a criminal past. So when Adam approaches Jessie with a scheme for a burglary he’s shocked, but not necessarily uninterested.Read More »

  • Bob Fosse – Lenny (1974)

    Drama1971-1980Bob FosseUSA

    Adapted by Julian Barry from his own Broadway play, Lenny manages to be both brutally frank and highly romanticized in detailing the short life and career of influential, controversial stand-up comedian Lenny Bruce. The chronology hops, skips and jumps between Lenny (Dustin Hoffman) in his prime and the burned-out, strung-out performer who, in the twilight of his life, used his nightclub act to pour out his personal frustrations at great, boring length. We watch as up-and-coming comic Bruce courts his “Shiksa goddess,” a stripper named Honey (Valerie Perrine). With family responsibilities, Lenny is encouraged to do a “safe,” conformist act, but he can’t do it.Read More »

  • Ulu Grosbard – Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)

    Drama1971-1980ComedyUlu GrosbardUSA

    Quote:
    Georgie Soloway, a pop hit love song writer who cannot love, himself, or others. He spends his days with various women flying his plane, and dropping in to the world around him.Read More »

  • John Schlesinger – Midnight Cowboy (1969)

    Drama1961-1970John SchlesingerQueer Cinema(s)USA

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    Quote:
    In 1969, following an anti-establishment path blazed famously by Bonnie and Clyde, then-X-rated Midnight Cowboy lumbered into the cinema consciousness and swiped the Best Picture Oscar. While Hollywood was producing Hello, Dolly! (also nominated that year), Dustin Hoffman, Jon Voight and director John Schlesinger were chronicling the bizarre tale of a wannabe male prostitute and a sickly cripple trying to survive together on the New York City streets.Read More »

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