Eddie Garcia

Reunited: Vilma Santos, Christopher DeLeon, and Eddie Garcia, together again for another dramatic performance. This time, Marilou Diaz-Abaya directs, and this time Eddie Garcia displays his superb acting talent.Read More »

In 1971, Director Lino Brocka directs “Stardoom” for Lea Productions, his “indictment of the corruption of values in the local movie industry.” It tells of a frustrated and ambitious stage mother, Toyang (played by Lolita Rodriguez), who forces her son, Joey, into a showbiz career and ultimately ends up in a tragedy. 70s teenage heartthrob, handsome, clean-cut and the boy-next-door type, Walter Navarro starred as the son, Joey Galvez, who at the peak of his stardom was gunned down by his erstwhile girlfriend Nina (Lotis Key), in a fit of jealousy and anger.Read More »

Quote:
Lino Brocka’s adaptation of Mars Ravelo’s “komiks” melodrama about a successful businessman trying to hide his homosexuality.Read More »

From Hong Kong International Film Festival:
Bernal’s impressive debut feature confirmed him as a prominent filmmaker who was not only capable of orchestrating a striking narrative, but also one that revealed the hypocrisy permeating the carnivalesque affairs of filmmaking. The story follows Ching, a stripper, who performs to the lustful stares of her patrons. Discovered by an idealistic film director, she rises to stardom and takes her lover Pinggoy, a taxi driver, into show business. Scrambling to the top, they reap fame and forture only to find tragedies awaiting. Bernal has made startlingly accurate observations of the dichotomies facing Philippine cinema and society, winning Best Film of the Decade in the country’s prestigious Gawad Urian Awards.Read More »

Barber’s Tales (Filipino: Mga Kuwentong Barbero) is a 2013 Filipino drama film by Jun Robles Lana. The film stars Eugene Domingo as Marilou, a widow who is forced to take her late husband’s job as community barber during the end of Marcos era. The film is the follow up to Lana’s film Bwakaw and second of a trilogy focused on the small town life in the Philippines.[1] The film had its world premiere and competed at the 2013 Tokyo International Film Festival, where it won the Best Actress Award for Eugene Domingo’s performance.

The film had its commercial release in the Philippines on August 13, 2014.Read More »

A mad scientist creates a monster, but after its head is cut off, he keeps it alive in a serum
he has invented.Read More »

(from Cinemarehiyon)
The picaresque adventures of a young, naive country bumpkin named Kulas (de Leon) and his whimsical encounters with denizens of various nationalities – Spanish, American, Chinese, indio – is a metaphor for the Filipino quest for identity at a time when nationhood was still an imagined concept. Set during the liminal period when the Philippines was in transition from Spanish to American colonial rule, this masterwork shows Romero at his best and most exuberant as a filmmaker. It swept most of the awards at the 1976 Metro Manila Film Festival, and was subsequntly voted best picture at the very first Urian Awards in 1977.Read More »

A portrait of small-town oppressiveness in the Philippines, made during the Marcos government’s imposition of martial law. Lino Brocka’s 1974 film tells of two social outcasts struggling to survive the hypocritical condemnation of their fellow villagers; the tone ranges from comedy to tragedy to documentary observation of village rituals.Read More »