Tag Archives: Elem Klimov

Elem Klimov – Idi i smotri AKA Come and See (1985)

Ivan Got His Gun. Sam Fuller once declared that the only way for cinema to depict war authentically was to spray the audiences with real bullets, here’s the next best thing. The setting is the Nazi devastation of Belarus, the Exodus and the Apocalypse are the main poles: The 12-year-old protagonist (Alexei Kravchenko) digs up a rifle and eagerly runs to join the partisans in the woods, Elem Klimov proceeds to wipe the smile off the wannabe warrior’s face. Left behind, the boy spends an incongruous idyll with a forest nymph (Olga Mironova), complete with rainbows materializing out of morning rain; a squashed bird’s nest sets the stage for the inferno, which is first glimpsed — casually, mind-scarringly — by the side of a cabin. Bombs and bottles rain from the sky, Klimov’s Steadicam skims supernaturally pale meadows, a full menagerie (stork, cow, lemur, lobster) adds to the surrealism. Read More »

Mikhail Romm & Marlen Khutsiev & Elem Klimov – I vsyo-taki ya veryu… (1974)

Born in 1901, Mikhail Romm took part in the Bolshevik Revolution, the Civil War, and World War II. His landmark films Nine Days of One Year (1961) and Ordinary Fascism (1965) embodied the intellectual discourse and discontent of the 1960s, influencing an entire generation of Thaw filmmakers, including Andrei Tarkovsky, G. N. Chukhrai, Marlen Khutsiev, and Elem Klimov. Following Romm’s untimely death during the making of …And Still I Believe, his former students Khutsiev and Klimov completed this remarkable film montage, a personal journey across 20th-century history and the clash of civilizations told, in part, through Romm’s own diary entries and gripping historical footage. Read More »

Elem Klimov – Sport, Sport, Sport (1970)


From allmovie.com

What makes an athlete compete? How can he be made to endure the gruelling training most sports require? In this image-rich combination documentary and poetic drama, participants in sports including foot-racing, wrestling, speed-skating, swimming and gymnastics are seen in their daily lives and in all stages of training and competition. Their regimens are contrasted with the efforts of ordinary people to train some life into their limbs as they exercise to lose weight, or, as aging people, in order to stay active. In one episode, a marathon runner competing on a hot summer day in Philadelphia literally runs himself to death, and in a later dramatic re-enactment, medieval warriors hold a competitive joust. As one image piles upon another in this unique film, answers to questions about competition begin to suggest themselves. Read More »