Tag Archives: Erland Josephson

István Szabó – Hanussen (1988)

Quote:
Austrian Klaus Schneider, who later comes to be known as Erik Jan Hanussen is wounded during World War I. While recovering in the care of Dr. Emil Bettleheim (Erland Josephson), the Doctor discovers that Schneider possesses empathic powers. After the war, with one friend as his manager and another as his lover, Schneider changes his name and goes to Berlin to perform in halls and theaters as a hypnotist and mind reader. His purported powers bring him to the attention of the Nazis which nurtures his fame and power – as well as his own troubles – to grow. Read More »

Ingmar Bergman – Scener ur ett äktenskap AKA Scenes from a Marriage [Theatrical Cut] (1973)

Quote:
Scenes from a Marriage chronicles the many years of love and turmoil that bind Marianne (Liv Ullmann) and Johan (Erland Josephson), tracking their relationship as it progresses through a number of successive stages: matrimony, infidelity, divorce, and subsequent partnerships. Originally conceived as a five-hour, six-part television miniseries, the film is also presented in its three-hour theatrical cut. Shot on 16 mm in intense, intimate close-ups by cinematographer Sven Nykvist and featuring flawless performances by Ullmann and Josephson, Bergman’s emotional X-ray reveals the intense joys and pains of a complex bond. Read More »

Carlo Lizzani – La casa del tappeto giallo AKA House of the Yellow Carpet (1983)

Kevin Lyons on EOFFTV wrote:
By the early 1980s, the giallo – that uniquely Italian blend of thriller and horror tropes laced with plenty of sex – was facing its final curtain. Dario Argento would return to the form throughout the decade but just about everyone else was getting ready to give up on it as Italian horror lurched towards the more visceral in the wake of Lucio Fulci’s worldwide success with Zombi 2 / Zombie Flesheaters Zombie [1979]. Those gialli that were still being made seemed a pale imitation of the excesses of their 1970s forebears. Read More »

Ingmar Bergman – Efter repetitionen AKA After the Rehearsal (1984)

Quote:
With this spare chamber piece, set in an empty theater, Ingmar Bergman returned to his perennial theme of the permeability of life and art. Lingering after a rehearsal for August Strindberg’s A Dream Play (a touchstone for the filmmaker throughout his career), eminent director Henrik (Erland Josephson) enters into a frank and flirtatious conversation with his up-and-coming star, Anna (Lena Olin), leading him to recall his affair with Anna’s late mother, the self-destructive actress Rakel (Ingrid Thulin). The sharply written and impeccably performed After the Rehearsal, originally made for television, pares away all artifice to examine both the allure and the cost of a life in the theater. Read More »

Andrei Tarkovsky – Offret (1986)

The Sacrifice, director Andrei Tarkovsky’s final film, begins in Bergmanesque fashion on a small, remote island, where friends and family gather for drama critic Alexander’s (Erland Josephson) birthday celebration.

The revelry is interrupted by a radio announcement: World War III has begun, and Mankind is only hours away from utter annihilation. Each of the guests reacts differently to the news: the most dramatic response is Alexander’s, who promises God that he’ll give up everything he holds dear – including his beloved 6-year-old son – if war is averted. Allan Edwall, a local mailman with purported mystical powers, offers to intervene with the Creator on Josephson’s behalf. Read More »

Dusan Makavejev – Montenegro (1981)

Marilyn Jordan (Susan Anspach) is a bored, depressed American housewife, married to a rich Swedish businessman with two seemingly perfect children. She tries to “spice up” her existence by surprising the family when she eats their entire dinner, setting the bedclothes on fire and poisoning the pet dog’s milk and then advising it not to drink (the dog does not drink). Eventually Martin, Marilyn’s husband, decides to show her to a psychiatrist, but that only serves to further her frustration. Read More »

Ingmar Bergman – Larmar och gör sig till AKA In the Presence of a Clown (1997)

“In the Presence of a Clown (Swedish: Larmar och gör sig till) is a television film by Ingmar Bergman, recorded for Swedish television in 1997 with Bergman as a director. It was screened in the Un Certain Regard section of the 1998 Cannes Film Festival. It tells the story of a professor named Carl, who has been found guilty of attempted murder and sentenced to treatment in a mental ward. In the hospital he befriends a man named Osvald, and they attempt to make and promote a film.

The film was produced for Sveriges Television from Bergman’s 1994 play of the same title. ” Read More »