Synopsis wrote:
Newly-widowed Marilou inherits from her husband the town’s only barbershop–a business that has been passed down by generations of men in his family. With no other means of support, she musters the courage to run the barbershop. But–as to be expected–she fails to attract any customers. But a touching act of kindness she extended to Rosa, a prostitute who works in the town brothel, leads to an unexpected opportunity. Rosa, who now considers Marilou a friend, urges her prostitute friends to pressure their male clientele into patronizing Marilou’s barbershop. The men have no choice but to grudgingly oblige out of fear that Rosa will expose their infidelity to their wives.Read More »
Eugene Domingo
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Jun Lana – Mga kuwentong barbero AKA Barber’s Tales (2013)
Jun Lana2011-2020DramaPhilippines -
Jun Lana – Mga kuwentong barbero AKA Barber’s Tales (2013)
2011-2020DramaJun LanaPhilippinesBarber’s Tales (Filipino: Mga Kuwentong Barbero) is a 2013 Filipino drama film by Jun Robles Lana. The film stars Eugene Domingo as Marilou, a widow who is forced to take her late husband’s job as community barber during the end of Marcos era. The film is the follow up to Lana’s film Bwakaw and second of a trilogy focused on the small town life in the Philippines.[1] The film had its world premiere and competed at the 2013 Tokyo International Film Festival, where it won the Best Actress Award for Eugene Domingo’s performance.
The film had its commercial release in the Philippines on August 13, 2014.Read More »
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Brillante Mendoza – Foster Child (2007)
2001-2010AsianBrillante MendozaDramaPhilippinesQuote:
Ostensibly a fiction film about a foster mother (Cherry Pie Picache) in the outskirts of Manila spending her last day with her latest foster child (Kier Segundo), Foster Child is actually a home movie tour de force. It takes a Dziga Vertov or Hou Hsiao-Hsien to make sense out of every aspect of quotidian living, and so Foster Child is merely content with a strong sense of cluttered, bustling place: children running everywhere, playing everywhere, peeing everywhere, and parents wrangling them together for dinner, dances, school, appointments, and trips around the neighborhood. Like Cristian Mungiu did in his recent 4 Months, 3 Weeks and 2 Days, Brillante Mendoza attempts to take the camera from the opening shot of Touch of Evil to quotidian life in the slums.Read More »