Eva Dahlbeck

  • Gustaf Molander – Rid i natt! AKA Ride This Night (1942)

    1941-1950DramaGustaf MolanderSweden

    Quote:
    “Ride tonight!” – In the south of Sweden, some farmers get into trouble when the German Count is forcing them to perform day labor for him. But a man refuses to bow to the German Count.Read More »

  • Ingmar Bergman – En lektion i kärlek AKA A Lesson in Love (1954)

    Arthouse1951-1960ComedyIngmar BergmanSweden

    Quote:
    One of Ingmar Bergman’s most satisfying marital comedies, A Lesson in Love stars the droll and sparkling duo of Eva Dahlbeck and Gunnar Björnstrand as a couple deep into their married years and seeking fresh pastures. Björnstrand’s gynecologist falls for one of his patients (Yvonne Lombard), while his wife flounces off to Copenhagen to renew her fling with a sculptor (Åke Grönberg). Deftly interspersing scenes of farce with interludes of tranquil reflection, A Lesson in Love serves as an aperitif before the full-blown comic brilliance of Smiles of a Summer Night the following year.Read More »

  • Ingmar Bergman – Sommarnattens leende AKA Smiles of a Summer Night (1955) (HD)

    1951-1960ComedyIngmar BergmanRomanceSweden

    In Sweden at the turn of the century, members of the upper class and their servants find themselves in a romantic tangle that they try to work out amidst jealousy and heartbreak.Read More »

  • Agnès Varda – Les créatures AKA The Creatures (1966)

    1961-1970Agnès VardaArthouseFantasyFrance

    Criterion wrote:
    One of Agnès Varda least-seen films is also one of her most fascinating: an eccentrically imaginative science-fiction fantasia that touches on human nature, free will, and the creative process. Working with major stars for the first time on a feature film, Varda casts Michel Piccoli as a writer and Catherine Deneuve as his silent wife, a couple who relocate to the island of Noirmoutier (a longtime second home for Varda and her husband, Jacques Demy) where strange goings-on hint at a sinister force controlling the minds and actions of the residents. Slipping between “reality” and fiction, genre spectacle and avant-garde experimentation, Les créatures is a beguiling, endlessly inventive exploration of the mysterious alchemy that transforms life into art.Read More »

  • Alf Sjöberg – Bara en mor AKA Only a Mother (1949)

    1941-1950Alf SjöbergDramaSweden

    Statare, or country workers who recieved most of their payment in natura and didn’t own their own land, were the lowest of the low in Old Sweden. Maria – nicknamed ‘Rya-Rya’ – is born into this lot. A beautiful young woman, who the men tend to flock to, she quickly becomes with child. Her life changes forever…

    Based on a novel by Ivar Lo Johansson.Read More »

  • Ingmar Bergman – Kvinnors väntan AKA Waiting Women (1952)

    1951-1960ComedyDramaIngmar BergmanSweden



    While at a summerhouse, awaiting their husbands’ return, a group of sisters-in-law recount stories from their respective marriages. Rakel (Anita Björk) tells of receiving a visit from a former lover (Jarl Kulle); Marta (Maj-Britt Nilsson) of agreeing to marry a painter (Birger Malmsten) only after having his child; and Karin (Eva Dahlbeck) of being stuck with her husband (Gunnar Björnstrand) in an elevator, where they talk intimately for the first time in years. Making dexterous use of flashbacks, the engaging Waiting Women is a veritable seedbed of Bergman themes, ranging from aspiring young love to the fear of loneliness, with the finale a masterpiece of chamber comedy.Read More »

  • Ingmar Bergman – För att inte tala om alla dessa kvinnor aka All These Women (1964)

    Arthouse1961-1970ComedyIngmar BergmanSweden

    Quote:
    Conceived as an amusing diversion in the wake of Ingmar Bergman’s despairing trilogy, this comedy is the director’s first film in color, and it is an opulent visual feast. Working from a bawdy screenplay he cowrote with actor Erland Josephson, about a supercilious critic drawn into the dizzying orbit of a famous cellist, Bergman brings together buoyant comic turns by a number of his frequent collaborators, including Jarl Kulle, Eva Dahlbeck, Harriet Andersson, and Bibi Andersson. All These Women, in which Bergman pokes fun at the pretensions of drawing-room art, possesses a distinctly playful atmosphere and carefree cadences.Read More »

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