Tag Archives: Faye Dunaway

Elia Kazan – The Arrangement (1969)

The Arrangement tells the story of a seemingly-successful Los Angeles-area advertising executive of Greek-American extraction, “Eddie Anderson” (birth name Evangelos Arness, portrayed by Kirk Douglas) who is miserable in both his job and his marriage to his WASPy wife, Florence (Deborah Kerr) and is having a torrid affair with a co-worker, Gwen (Faye Dunaway). “Anderson” is forced to re-evaluate his life and its priorities after an automobile accident which occurs after he can no longer face what his life has become. Read More »

Frank Perry – Mommie Dearest (1981)

The abusive and traumatic adoptive upbringing of Christina Crawford at the hands of her mother, screen queen Joan Crawford, is depicted. Read More »

Emir Kusturica – Arizona Dream (1993)

Quote:
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist’s gofer. He’s happy there, but a messenger arrives to bring him to Arizona for his uncle’s wedding. It’s a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles. Read More »

Sydney Pollack – Three Days of the Condor (1975)

Quote:
One of the most memorable paranoia thrillers of the 1970s, Sydney Pollack’s Three Days of the Condor never loses its focus as a tense, compelling exercise in suspense. The plot rests on the premise that everyone with power is corrupt; Pollack and writers Lorenzo Semple Jr. and David Rayfiel keep the proceedings from devolving into the preposterous or unconvincing. True to form, Robert Redford represents the powerless, non-corrupt, masses as the film’s bookish CIA researcher Turner. Unlike some of the bleaker examples of the genre (1974’s The Parallax View), Redford’s character ultimately outwits the system and finds a way to fight the corruption, much as he would the following year in All the President’s Men. Redford’s charisma smoothes over some of Condor’s less-believable moments, and Sydney Pollack directs in the distinctively gloomy-but-lively style common to 1970s films. This was the fourth film on which the director and star teamed; they would continue to work together on movies such as 1986’s Out of Africa and 1990’s Havana. –Brendon Hanley Read More »

Arthur Penn – Bonnie and Clyde (1967)

Synopsis:
1934. Young adults Bonnie Parker, a waitress, and Clyde Barrow, a criminal just released from prison, are immediately attracted to what the other represents for their life when they meet by chance in West Dallas, Texas. Bonnie is fascinated with Clyde’s criminal past, and his matter-of-factness and bravado in talking about it. Clyde sees in Bonnie someone sympatico to his goals in life. Although attracted to each other physically, a sexual relationship between the two has a few obstacles to happen. Read More »

Frank Perry – ‘Doc’ (1971)

New Beverly Cinema writes:
Director Frank Perry deconstructs the legends of Doc Holliday (Stacey Keach) and Wyatt Earp (Harris Yulin) with a vengeance in this superb revisionist take on what went down in Tombstone at the OK Corral. Alcoholic former dentist and gunslinging gambler Holliday settles in Arizona to help treat his tuberculosis, wins one of the Clanton gang’s wives, Kate (Faye Dunaway) in a game of poker and runs into old friend, Wyatt (Harris Yulin). Keach hits just the right tone with his portrayal of the dissolute idealist who is alternately at odds with those closest to him but also a loyal friend. Yulin’s Earp is a conflicted, ambitious man, believing in the rule of law, but also a calculating politician campaigning for sheriff, ready to go up against the most powerful interests in town – which just happen to be the Clantons. Read More »

Brian G. Hutton – The First Deadly Sin (1980)

Synopsis:
A serial killer is stalking New York. Inspector Edward X. Delaney is an NYPD detective, nearing retirement, who is trying to put together the pieces of the case. Are the victims somehow linked? What does the brutal method of death signify? Read More »