Gérard Meylan

In Marseille, a family gathers for the birth of baby Gloria. But despite the joy, the young parents have fallen on tough times. As they try to make ends meet, they reconnect with Gloria’s ex-convict grandfather.Read More »

“…It began with the a couple much like Joseph and Mary, only in a modern French setting. This fable continued for a little longer, until it became revealed that it was a story being read to a near-catatonic woman by an older lady. The younger of the women turns out to be Natasha, a pediatrician amongst the poor in Marseilles, and a political activist. She is the central character, and the rest of the film delves into her story, through flashbacks, and the contradiction that she represents.Read More »

Barsam, Anna’s father, is seriously ill. Before he dies, he would like to bequeath something to his daughter: a sense of doubt. As he flees to Armenia, he leaves several clues in his wake so that Anna can come after him. For Anna, this journey she is obliged to make in an unknown country, becomes what her father wanted it to be: an initiation, a sentimental journey, a second adolescence. She finds him in a little village, lost in the Caucasian mountains, seated dreaming under a blossoming apricot tree. She will come to doubt her identity, her relationships and her commitments.Read More »

From Stephen Holden review in NYT: “In his unsettling urban panorama, “The Town Is Quiet,” the director Robert Guédiguian invests the French port city of Marseille with the same epic sense of drama that infused Robert Altman’s “Nashville.” Raw, wrenching and more starkly tragic than Mr. Altman’s satire, “The Town Is Quiet” evokes a similar vision of a city as a teeming organism in violent, spasmodic flux.Read More »