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The film’s complex, ‘Russian Doll’ narrative spans three generations of an Orcadian family. Barbara’s attempt to understand her past forms its outer shell. Flashbacks to her mother Greta and Grandmother Mary form the second and third layers, as the action in both past and present switches between Orkney and Edinburgh. At its core is Tait’s abiding interest in natural cycles, which in her films seem to dwarf all human concerns. The final five minutes of the film is a leanly edited sequence of shots from the Orkney coastline, juxtaposition grand sweeps of the seafront to details of shells, driftwood and shale.Read More »
Gerda Stevenson
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Margaret Tait – Blue Black Permanent (1992)
1991-2000ArthouseDramaMargaret TaitUnited Kingdom