Salvatore (Gian Maria Volonte) lives in a rural environment on the island, and when he becomes fed up with Mafia tactics, he swings into action. First he convinces the farmers and workers that they can band together, and then he convinces them to go on strike against their exploitative employers. The results bring tragedy in their wake, but the beginnings of a unified stance against the mobsters takes hold. Read More »
Tag Archives: Gian Maria Volontè
In 1920, the anarchist Italian immigrants Nicola Sacco (Riccardo Cucciolla) and Bartolomeo Vanzetti (Gian Maria Volonté) are sentenced to death, falsely accused of a robbery and murder. Indeed they are condemned due to their political beliefs, in one of the most shameful and hypocrite judgments of the human history. Read More »
An elegy of exile and an epic immersion in the world of rural Italy during the regime of Benito Mussolini, Francesco Rosi’s sublime adaptation of the memoirs of the painter, physician, and political activist Carlo Levi brings a monument of twentieth-century autobiography to the screen with quiet grace and solemn beauty. Banished to a desolate southern town for his anti-Fascist views, Levi (Gian Maria Volontè) discovers an Italy he never knew existed, a place where ancient folkways and superstitions still hold sway, and that gradually transforms his understanding of both himself and his country. Presented for the first time on home video in its original full-length, four-part version, Christ Stopped at Eboli ruminates profoundly on the political and philosophical rifts within Italian society—between North and South, tradition and modernity, Fascism and freedom—and the essential humanity that transcends all. Read More »
Il taglio del bosco is a film for television of 1963 , directed by Vittorio Cottafavi , taken from eponymous book by Carlo Cassola .
The film, produced by RAI, was broadcast on September 19, 1963 during the cycle of nine films entitled Tales of Italy today .
The film sees the participation of Gian Maria Volonté as the only professional actor, while all the other characters are played by the inhabitants of Tirli , the village of the Grosseto hills where the film is shot and set.
Gianni Rondolino defines the work “a phenomenological film that manages to introduce a disturbing moral dimension into the objectivity of the realistic vision” Read More »
Gramigna and his father are robbed of their field by Baron Nardò. The Baron let the field to Assunta and Gemma that is secretly beloved of Gramigna. Gemma succeeded to escape with Gramigna the day of her marriage with Ramarro. Love, violence, murder, revenge will follow all the protagonists till the desperate end of their existences.
– Written by 1felco Read More »
Elio Petri – Indagine su un cittadino al di sopra di ogni sospetto AKA AKA Investigation of a Citizen Above Suspicion (1970)
A paranoid police procedural, a perverse parable about the corrupting elements of power, and a candidate for the greatest predated Patriot Act movie ever, Elio Petri’s stunning thriller makes no attempt to hide the culprit behind the film’s grisly murder: It wants you to know that Gian Maria Volonté’s dapper killer is responsible for the beautiful corpse splayed out on those black silk bedsheets. The shocks here are (a) that the spaghetti-Western stalwart isn’t wearing a cowboy hat for once, and (b) that Volonté is not just the criminal, he’s also the homicide detective heading up the investigation. Deliberately hiding some clues while planting others in plain sight—bloody footprints, a strand of his tie purposefully inserted under her fingernails—the rising-up-the-precinct-ladder cop plays a game of cat-versus-other-dumber-cats, all while ordering copious wiretaps and amassing blackmail fodder against radical agitators. Is he toying with his fellow officers to demonstrate his sociopathic superiority? Or is he trying to take down a rotten system from the inside, debunking the notion that any citizen is above suspicion? Read More »