Tag Archives: Godfrey Reggio

Godfrey Reggio – Naqoyqatsi (2002)

Naqoyqatsi, also known as Naqoyqatsi: Life as War, is a 2002 documentary film directed by Godfrey Reggio and edited by Jon Kane, with music composed by Philip Glass. It is the third and final film in the Qatsi trilogy.

Naqoyqatsi is a Hopi word meaning “life as war”. In the film’s closing credits, Naqoyqatsi is also translated as “civilized violence” and “a life of killing each other”. While Koyaanisqatsi and Powaqqatsi examine modern life in industrial countries and the conflict between encroaching industrialization and traditional ways of life, using slow motion and time-lapse footage of cities and natural landscapes, about eighty percent of Naqoyqatsi uses archive footage and stock images manipulated and processed digitally on non-linear editing (non-sequential) workstations and intercut with specially-produced computer generated imagery to demonstrate society’s transition from a natural environment to a technology-based one. Reggio described the process as “virtual cinema”. Read More »

Godfrey Reggio – Powaqqatsi (1988)

Quote:
Five years after Godfrey Reggio stunned audiences with Koyaanisqatsi, he again joined forces with composer Philip Glass and other collaborators for a second chapter. Here, Reggio turns his sights on third-world nations in the Southern Hemisphere. Forgoing the sped-up aesthetic of the first film, Powaqqatsi employs a meditative slow motion in order to reveal the beauty of the traditional ways of life in those parts of the planet, and to show how cultures there are being eroded as their environments are taken over by industry. This is the most intensely spiritual segment of Reggio’s philosophical and visually remarkable Qatsi Trilogy. Read More »

Godfrey Reggio – Anima Mundi (1991)

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This short is nothing short of mesmerizing! Reggio outdoes his “Koyaanisqatsi” and “Powaqqatsi” in this tribute to the wonders of the animal kingdom. The camera lingers, treks, enfolds and personifies these creatures in startlingly intimate detail, all the while accompanied by (yet another) haunting score by Philip Glass Read More »