Harun Farocki

  • Harun Farocki – Der Auftritt AKA The Appearance (1996)

    1991-2000DocumentaryGermanyHarun Farocki

    The head of a Berlin advertising agency explains his proposed strategy to his potential client, a Danish optical company. The communication strategy that we ultimately came up with as a basis or any creative act or means of communication has three headings.

    The first is ‘relevant, not arrogant’; the second, ‘varied, not uniform’; and the third is, ‘creative, not pushy’. These are essentially translations, strategic translations of your basic requirements and your analysis of the market, as well.Read More »

  • Jean-Gabriel Périot – Une jeunesse allemande (2015) (DVD)

    2011-2020DocumentaryFranceJean-Gabriel Périot

    La Fraction Armée Rouge (RAF), organisation terroriste d’extrême gauche, également surnommée « la bande à Baader » ou « groupe Baader-Meinhof », opère en Allemagne dans les années 70. Ses membres, qui croient en la force de l’image, expriment pourtant d’abord leur militantisme dans des actions artistiques, médiatiques et cinématographiques. Mais devant l’échec de leur portée, ils se radicalisent dans une lutte armée, jusqu’à commettre des attentats meurtriers qui contribueront au climat de violence sociale et politique durant « les années de plomb ».Read More »

  • Harun Farocki – Das Silber und das Kreuz aka The Silver and the Cross (2010)

    Harun Farocki2001-2010DocumentaryExperimentalGermany

    The installation THE SILVER AND THE CROSS by media artist Harun Farocki examines the 1758 painting “Depiction of the Cerro Rico and the Imperial City of Potosí” by Gaspar Miguel des Berrío (in the Museo Colonial Charcas de la Universidad San Francisco Xavier, Sucre, Bolivia). Farocki uses the medium of video to dissect the painting and its historical layers. In addition to artistic aspects, Farocki also looks at historical context and colonialism.Read More »

  • Harun Farocki & Andrei Ujica – Videogramme einer Revolution aka Videograms of a Revolution (1992)

    Harun Farocki1991-2000Andrei UjicaDocumentaryGermanyPolitics

    Dietrich Leder, Film-Dienst 24/92 wrote:
    In Europe in the fall of 1989, history took place before our very eyes. Farocki and Ujica’s “Videograms” shows the Rumanian revolution of December 1989 in Bucharest in a new media-based form of historiography. Demonstrators occupied the television station [in Bucharest] and broadcast continuously for 120 hours, thereby establishing the television studio as a new historical site. Between December 21, 1989 (the day of Ceaucescu’s last speech) and December 26, 1989 (the first televised summary of his trial), the cameras recorded events at the most important locations in Bucharest, almost without exception. The determining medium of an era has always marked history, quite unambiguously so in that of modern Europe. It was influenced by theater, from Shakespeare to Schiller, and later on by literature, until Tolstoy.Read More »

  • Harun Farocki – Das doppelte Gesicht: Peter Lorre aka The Double Face of Peter Lorre (1984)

    Harun Farocki1981-1990DocumentaryGermany

    Arnold Hohmann wrote:
    Peter Lorre achieved international fame for his performance in the myth-making role in M. This character has held a peculiar fascination for generations of cinephiles. However, at the time, whilst such success meant recognition, it also weighed on the Hungarian actor as a constrictive burden. Using photographs and film extracts, Das doppelte Gesicht reconstructs the ups and downs of Lorre’s career, taking into consideration the economic imperatives and workings of the film industry at the time.Read More »

  • Harun Farocki – Counter-Music [Single channel version] (2004)

    Harun Farocki2001-2010DocumentaryExperimentalGermany

    The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images. Representations of traffic regulation, by car, train or metro, representations determining the height at which mobile phone network transmitters are fixed, and where the holes in the networks are. Images from thermo-cameras to discover heat loss from buildings. And digital models of the city, portrayed with fewer shapes of buildings or roofs than were used in the 19th century when planned industrial cities arose, amongst them the Lille agglomeration. Despite their boulevards, promenades, market places, arcades and churches, these cities are already machines for living and working. I too want to “remake” the city films, but with different images. Limited time and means themselves demand concentration on just a few, archetypal chapters. Fragments, or preliminary studies. (Harun Farocki)Read More »

  • Harun Farocki – Industrie und Fotografie (1979)

    1971-1980DocumentaryGermanyHarun FarockiShort Film

    Farocki frequently chooses a single news photo as his pretext. In his film he explains convincingly that ‘learning from images’ is not so much a question of having power over the image or a consistent subject-position towards the image, which would allow the filmmaker access to complete knowledge. Instead he insists on pursuing photography’s separation of reference and discourse, by proving this to be a separation of the subject as well as a separation within the subject itself. The modern notion of representation, at least that which we owe to cinema, is based on iconicity, similarity and probability.Read More »

  • Harun Farocki – Ein Bild AKA An Image (1983)

    1981-1990ExperimentalGermanyHarun FarockiShort FilmVideo Art

    Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle. Maybe all those trappings are only there to cover up the naked woman. Maybe it’s like with a paper-doll. The naked woman in the middle is a sun around which a system revolves: of culture, of business, of living! (It’s impossible to either look or film into the sun.) One can well imagine that the people creating such a picture, the gravity of which is supposed to hold all that, perform their task with as much care, seriousness, a responsibility as if they were splitting uranium.Read More »

  • Harun Farocki – Sauerbruch Hutton Architekten (2013)

    2011-2020ArchitectureDocumentaryGermanyHarun FarockiTV

    Farocki’s latest documentary catches the creative process at work at Berlin-based architectue firm Sauerbruch Hutton.Read More »

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