Tag Archives: Harutyun Khachatryan

Harutyun Khachatryan – Vaveragrogh AKA Documentarist (2003)

Originally, Documentarist was intended as a traditional documentary about a country that has to face challenging problems such as war, unemployment, extreme poverty, mass emigration, alcoholism and crime. Unfortunately, Harutyun Khachatryan did not raise enough state money in order to make the film he wanted to and therefore had to settle for a different project. Thus, he decided on a very unorthodox narrative strategy. By weaving together different styles, such as documentarist observation and docu-drama approach, he shed a new light on the complexities and challenges a director has to face in order to present a multifaceted picture of reality. Read More »

Harutyun Khachatryan – Poeti veradardze AKA Return of the Poet (2005)

Quote:
Armenia’s leading living filmmaker, Harutyun Khachatryan, chose his nation’s 19th century poet, Ashugh Jivani, as his new film’s central spirit. This is hardly accidental, for nothing here is prosaic. Here is a dazzling, alternative vision of a cinema that is essentially poetic, metaphorical and allusive. A work of tactile sensuality, it nominally depicts the step-by-step creation of a monumental statue of the poet that ends up traveling on the back of a truck through the Armenian countryside. From this Khachatryan conjures a transcendental cinematic experience, employing a sublime fusion of sound, image and music to evoke the soul of the director’s beloved country and its people. Read More »

Harutyun Khachatryan – Sahman AKA The Border (2009)

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A poetic docu-drama based on real events witnessed by Armenian master Khachatryan. He reflects on the tragedy that befell his people during the conflict between Armenia and Azerbaijan in the 1990s, after the Soviet Union fell apart. He does so without words or indeed human protagonists, through the story of a buffalo who is found stuck in a ditch in the countryside. He is brought to a nearby farm where animals, farmers and refugees are gathered to hide and recover from the conflict. All regard him with great suspicion. We follow life on the farm and in the surrounding villages through the eyes of the buffalo over the course of a year, with the changing of the seasons and the slow rhythm of the place. (WARSAW FILM FESTIVAL) Read More »