Helmut Käutner

Synopsis:
King Ludwig II of Bavaria is frustrated, having to accept parliament’s will to join Bismarck, rather he his cultured Habsburg friends, in wars. His love-life being as fruitless, he seeks comfort in art. But building fairytale castles and an even grander opera for his musical idol Wagner proves so expensive, his cabinet ends up resorting to formally challenging his mental health, plausible as his beloved brother Otto contracted schizophrenia earlier. Tragedy now lurks in Ludwig’s prison-castle.
— IMDb.Read More »

The film tells the story of the blond “singing sailor” Hannes Kröger who works in a St. Pauli club on the Große Freiheit 7, and falls in love with a girl. But she prefers his rival Willem and Hannes returns to the sea.Read More »

Quote:
In the last decades of the 19th century, Karl May (1842-1912) was the most successful author in Germany. For 30 years he turned out 40 pages a day, constructing a staggering body of kitsch adventure-fiction that may originally have owed a certain debt to James Fenimore Cooper but that, finally, created a mythology quintessentially German.
In his most popular stories, written in the first person, May recalled his adventures in the American West with his idealized white blood-brother, Old Shatterhand, and the equally idealized Indian warrior, Winnetou. Seeking a change of locale, May also wrote similar first-person tales about adventures in the Near and Far East.Read More »

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The film can be best described as Käutner goes Antonioni with Fellini’s cinematographer on the camera. The critics slaughtered the film as they did with many films of the era which only get rediscovered today and it didn’t help that the author attacked during a press conference the film which he had himself written following his own novel unwisely too closely while Käutner fought against that. Don’t let that disturb you, it’s quite a remarkable film and a great showcase for the cool understated beauty of Ruth Leuwerik who was correctly labeled the German Deborah Kerr.Read More »

Synopsis:
Anna (Eva Kotthaus) is a factory worker in East Germany. Her five-year-old son Jochen, lives with his grandparents in the West and Anna wants him to live with her, so she abducts him. Along the way she meets Carl (Erik Schumann) who helps her with her son and they fall in love.Read More »

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Karl Zimmermann plays piano at the Café Rigoletto because he needs the money, but actually his whole passion is classical music, and work on his own opera is in progress. Then he meets the pop singer and song writer Anni Pichler, whom he wants to convert to “serious” music, but even the private lessons at his bachelor pad cannot convince her. Despite everything, the two find each other appealing, and they marry after a short time.
Professionally now everyone goes his/her own way, but at home things don’t go well. Money’s always scarce, and Anni complains he could earn more if he’d write music people like. And when Karl’s opera bombs, he hits rock bottom and they break up.Read More »

Two barge skippers fall in love with the same woman.

“Under the Bridges”, made in the last year of the Third Reich, proves that artistic genius can flourish even under the most difficult circumstances. The film completely transcends its time and presents a simple love story, the themes of which are universal. Through both his settings and his actors, Kautner achieves a naturalism which has seldom been equaled. That he managed to do this in 1944-45 Germany is almost unbelievable. A fortunate and unexpected treasure from a most unfortunate time.Read More »