Tag Archives: Hobart Bosworth

Vera Iwerebor – Baby Peggy, the Elephant in the Room (2010)

Diana Serra Cary, a well-conserved lady of ninety, is one of the last living legends of the silent movie era. She was not even two when she endeared herself to the public as cute Baby Peggy. In Hollywood, she worked long days as an infant, earned millions and provided for the family. When she was six, the fairytale abruptly ended when her father, a stunt man and ex-cowboy, quarrelled with a producer and the saved fortune turned out to be squandered. In this documentary, with abundant historic footage, Diana looks back on her bizarre childhood and explains to her granddaughter she really does not know what it is like to be a child. As a teenager, she started loathing Baby Peggy and ran away from home to start a new life. She wrote a book about child stars and eventually became reconciled with Baby Peggy. Nowadays, she visits festivals that screen her films and enjoys the attention from often young fans.. Read More »

King Vidor & George W. Hill – The Big Parade [+Extras] (1925)

Quote:
A Superlative War Picture.
An eloquent pictorial epic of the World War was presented last night at the Astor Theatre before a sophisticated gathering that was intermittently stirred to laughter and tears. This powerful photodrama is entitled “The Big Parade,” having been converted to the screen from a story by Laurence Stallings, co-author of “What Price Glory,” and directed by King Vidor. It is a subject so compelling and realistic that one feels impelled to approach a review of it with all the respect it deserves, for as a motion picture it is something beyond the fondest dreams of most people. Read More »

William A. Seiter – Little Church Around the Corner (1923)

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The Little Church Around the Corner is important as the first major financial success for the fledgling Warner Bros. studios. Kenneth Harlan plays a mining-town clergyman who falls in love with his benefactor’s daughter. He is about to settle into a life of cozy complacency when a group of miners come to his doorstep, asking that the minister plead to the owners for better living conditions. To prove himself to be “one” with the miners, Harlan moves into their shanty community. This causes a rift with his sweetheart’s father, who happens to be one of the owners. A cave-in, an angry mob and a supposed miracle are part and parcel of this 1923 adaptation of the war-horse Marion Russell play, which is directed with a sure, subtle hand by William A. Seiter. ~ Hal Erickson Read More »