Hugo Santiago

  • Hugo Santiago – Invasión (1969)

    Hugo Santiago1961-1970ArgentinaArthouseSci-Fi
    Invasión (1969)
    Invasión (1969)

    Quote:
    The city of Aquilea has fallen under siege by sinister forces. A group of middle-aged men, led by a somewhat older man, resolve to mount clandestine resistance to the invaders and defend their city. Meetings are held, maps are studied, strategies are proposed—but can the invasion really be overcome?

    Lost for years then rediscovered in 2004, the history of Hugo Santiago’s debut and its magical genre fluidity (is it an avant-garde crime thriller, a political sci-fi?) are the stuff of legend. Co-written by Jorge Luis Borges, who said it “may well be the first example of a new fantastic genre.”Read More »

  • Hugo Santiago – Un siècle d’écrivains : Maurice Blanchot (1998)

    1991-2000DocumentaryFranceHugo SantiagoTV

    Quote:
    Very rare documentary about writer and philosopher Maurice Blanchot, it’s based on the important book by Christophe Bident “Maurice Blanchot. Partenaire invisible” about the life and work of the author. Bident himself is present in the film as co-writer of the screenplay and as interviewed. Important philosophers and writers talk about Blanchot: Emmanuel Levinas, Jacques Derrida, Jean-Luc Nancy, Michel Surya, Roger Laporte, Louis-René des Forêts, Marguerite Duras, etc.Read More »

  • Hugo Santiago – Le Ciel du Centaure AKA El Cielo del Centauro (2015)

    2011-2020DramaFranceHugo Santiago

    Le Ciel du Centaure is Hugo Santiago’s last film.

    Plot : The Engineer had never been to South America before. His vessel, heading towards Patagonia makes a stop at dusk in Buenos Aires, from where it’ll depart again the following day…Read More »

  • Hugo Santiago – Les trottoirs de Saturne (1986)

    1981-1990ArthouseDramaFranceHugo Santiago

    With Les Trottoirs De Saturne, Hugo Santiago returns to Aquileia, the fiction city of his classic debut Invasion, but here explores the fate of its exiles in Paris. Drawing extensivly from his own experience in Paris where he relocated from Argentina to make films (first as assistant to Robert Bresson then to produce his own films) and then became an exile, unable to return, as Argentina was overtaken by a miliarty dictatorship during his abscence.Read More »

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