Jacques Tourneur

  • Jacques Tourneur – War-Gods of the Deep AKA The City Under the Sea (1965)

    City Under the Sea (released as War-Gods of the Deep in the US) is a 1965 British-American adventure horror science fiction film. It was directed by Jacques Tourneur (his final film) and starred Vincent Price, Tab Hunter, Susan Hart and David Tomlinson.

    The plot concerns the discovery of a lost city beneath the sea off the coast of Cornwall. Price is the captain overseeing a group of sailors who have lived there for more than a century where the peculiar mix of gases has allowed them to extend their lifespan.Read More »

  • Jacques Tourneur – The Leopard Man [+Commentary] (1943)

    A seemingly tame leopard used for a publicity stunt escapes and kills a young girl, spreading panic throughout a sleepy New Mexico town.Read More »

  • Jacques Tourneur – Toto (1933)

    Escaping from a policeman who has caught h.im with a stolen dog, Toto (Albert Préjean), a petty crook, hides in the apartment of a typist, Ginette (Renée Saint-Cyr). The two quickly fall in love, and after a brief incarceration, Toto returns to her and schemes to have her win a beauty contest. Bruno, a “financier” who met Toto in prison, briefly comes between the couple, but they are reunited at the end.Read More »

  • Jacques Tourneur – I Walked with a Zombie (1943)

    A young Canadian nurse (Betsy) comes to the West Indies to care for Jessica, the wife of a plantation manager (Paul Holland). Jessica seems to be suffering from a kind of mental paralysis as a result of fever. When she falls in love with Paul, Betsy determines to cure Jessica even if she needs to use a voodoo ceremony, to give Paul what she thinks he wants.Read More »

  • Jacques Manlay – Directed by Jacques Tourneur (1978)

    Interview with Jacques Tourneur in his french country house in 1977. This is the only existing television interview of Jacques Tourneur. It has been directed for the french tv channel “FR3”.
    Very interresting stories about Hollywood system and cinema industry hierarchy and codes.Read More »

  • Jacques Tourneur – They All Come Out (1939)

    A “Crime Doesn’t Pay” morality drama about a young man sentenced to a prison term and attempts by the system to rehabilitate jailed criminals.Read More »

  • Jacques Tourneur – Great Day in the Morning (1956)

    Film Society of Lincoln Center Writes:
    Tourneur’s moral and aesthetic complexity elevates this dark, anti-heroic western. Set on the brink of the Civil War, the deceptively titled Great Day in the Morning stars Robert Stack as a smooth-talking, opportunistic Southerner who drifts into Denver, his presence inflaming the already heated tensions between the Yankees and Confederates—and between two women he caddishly pursues, played by Virginia Mayo and Ruth Roman. As the film circles around themes of greed, jealousy, and violence, its increasingly sinister tone is mirrored by Tourneur’s intricate mise en scène, which begins in soft pastel hues and ends in noir shadows.Read More »

  • Jacques Tourneur – Easy Living (1949)

    from Film Society of Lincoln Center:
    Money, sex, and football: the three cornerstones of American life spell doom in Tourneur’s tough, subversive anti-marriage melodrama. Victor Mature is a star quarterback with a fatal heart condition who’s willing to risk death on the field to give his power-hungry wife (Lizabeth Scott) the life she wants, even as she pursues a sordid affair with a Wall Street sugar daddy. Co-starring Lucille Ball—who delivers some of the film’s most memorable moments as a hard-nosed working girl spouting world-weary cynicisms—Easy Living is a Sirkian sports movie with a dark noir undercurrent.Read More »

  • Jacques Tourneur – Nightfall (1956)

    Fred Camper wrote:
    This 1957 noir masterpiece by Jacques Tourneur stars Aldo Ray as a man fleeing a private investigator and Anne Bancroft as the barroom acquaintance who agrees to help him. Ray’s past is revealed gradually in a series of flashbacks, which are intercut with the couple’s flight and the investigator’s pursuit; by developing each narrative in a parallel space or time, Tourneur movingly articulates the theme of a character trapped by his history. The images have a smooth, almost liquid quality, the high-contrast lighting of most noirs replaced by a delicate lyricism that takes the natural world as the norm. Tourneur links this naturalism to Ray’s growing observational skills (“I know where every shadow falls,” he says), but it also contrasts with the story’s acute paranoia.Read More »

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