Jane Birkin, Bernadette Lafont, Elisabeth Wiener and Emma Cohen are 4 pretty girls rooming together. After witnessing and accidentally helping several thugs get away with a heist, the women notice through their telescope that the stolen loot is in the apartment right across the street! They plan their own burglary of the already stolen loot in this lighthearted caper comedy with a bit of nudity! Serge Gainsbourg did the bouncy score. Read More »
Tag Archives: Jane Birkin
the AMG clerk wrote :
“Complications abound in this French film, which tells the story of a filmmaker (Jean-Luc Bideau) who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his “real” life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife (Jane Birkin). She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.” Read More »
Dr. Brézé and his sons, all surgeons with limited abilities fight any competition on their sector with all means. Especially a well-known operating surgeon Pierre Losseray, which wants to operate again after a cardiac infarct and a longer recovery break. Night for night he is terrorized by the old Brézé with calls, being accused by him of the murder of patients, threatens with measures of the physician chamber. Read More »
Serge Gainsbourg’s Je T’Aime Moi Non Plus, the iconic singer-songwriter’s 1976 directorial debut, is on the surface the story of a love triangle. But nothing about this film is conventional. It’s set in an almost postapocalyptic wasteland that’s supposed to be somewhere in the American Midwest, if the signage and the locals’ penchant for fractious roller derbies is to be believed. (There’s even a visual joke that seems to riff on John Boorman’s Deliverance.) Two sides of the triangle are gay garbagemen, while the third is a boyish truck stop waitress. And Gérard Depardieu puts in a glorified cameo as an amorous hayseed who’s just a little too much into his horse. Read More »
Aesthetically, Agnès Varda’s two 1988 features, Jane B. par Agnes V. and Kung-Fu Master!, are diametrically opposed, but they’re linked by the showcase opportunities that they provide actress, singer, and model Jane Birkin. Kung-Fu Master! is, on its surface at least, a straightforward drama, one that concerns a middle-aged single mother, Mary-Jane (Birkin), finding herself smitten by her adolescent daughter’s classmate, Julien (Mathieu Demy). But like any story about this kind of subject matter, the simplicity of the setup belies the moral and emotional quandary it underpins. Even the midlife crisis suggested by Mary-Jane’s infatuation must be viewed within the context of the pressure that society, not internal doubt, places on women who turn 40. Read More »
There is a good theory that explains why Agnes Varda’s Jane B. for Agnes V. was never officially distributed in the United States. Apparently, the few distributors that saw it after Varda completed it in 1988 concluded that it was too abstract and therefore too risky to sign. So until recently, it had been screened only a few times at festivals and retrospectives. Read More »
Sven is Norwegian and his future is Kathmandu, the city of the gods.
Their paths meet and it is side by side they choose to take the path that leads up to the holiest city in Asia.
Olivier is French and this is the revolution.
May 68, Oliver is standing on the barricades, head full of new ideas to change the world. Read More »