Jane Wyatt

Quote:
Boomerang, directed by Elia Kazan, is a chilling film noir, the true story about the murder of a priest, the subsequent arrest and trial of a jobless drifter, and the efforts of young state’s attorney Henry Harvey (Dana Andrews) to uncover the truth. Closely based on the actual 1924 murder of Fr. Hubert Dahme in Bridgeport, Connecticut, the film was directed by the young Elia Kazan in a highly effective, semi-documentary style. Kazan shot most of the film on location, using high-contrast cinematography and an extremely mobile camera to create a palpable sense of urgency. The screenplay, expertly crafted by Richard Murphy received an Academy Award nomination.Read More »

Pitfall is a 1948 American film noir crime film directed by Andre DeToth. The film is based on the novel The Pitfall by Jay Dratler and stars Dick Powell, Lizabeth Scott, Jane Wyatt, and Raymond Burr.Read More »

Quote:
A deranged writer murders a maid after she resists his advances. The writer engages his brother’s help in hiding the body, causing unexpected problems for both of them.Read More »

Synopsis:
Rich Lois Frazer, divorcing her fortune-hunter husband, finds he’s bought a gun. Suspecting he plans to kill her, she calls in her lover, who just happens to be Homicide Lieutenant Ed Cullen. When Ed arrives, the gun gets used…and because of his relationship with Lois, Ed is compelled to compound a felony. The good news: Ed himself is assigned to the case. The bad news: Ed’s hotshot younger brother Andy, a new- minted detective, is also on the case…and anxious to prove himself.Read More »

Quote:
Boomerang, directed by Elia Kazan, is a chilling film noir, the true story about the murder of a priest, the subsequent arrest and trial of a jobless drifter, and the efforts of young state’s attorney Henry Harvey (Dana Andrews) to uncover the truth. Closely based on the actual 1924 murder of Fr. Hubert Dahme in Bridgeport, Connecticut, the film was directed by the young Elia Kazan in a highly effective, semi-documentary style. Kazan shot most of the film on location, using high-contrast cinematography and an extremely mobile camera to create a palpable sense of urgency. The screenplay, expertly crafted by Richard Murphy received an Academy Award nomination.Read More »