Jean-Henri Roger

Marseille, the 80s. Criminal fires, real estate business.
A burnt hill belongs to Paula Baretto, her only goods and heritage from her murdered father, ex-chemist of the French Connection…Read More »

Marseille, the 80s. Criminal fires, real estate business.
A burnt hill belongs to Paula Baretto, her only goods and heritage from her murdered father, ex-chemist of the French Connection…Read More »

Quote:
An illustration of the more or less weird people in the nightlife of the revel region of a French town. In the center of the (almost non-existing) plot are barmaid Anita and a reverend. Anita cares for the Caribbean dealer Bobby like a mother, but he’s too cool to listen to her warnings. When he’s caught by the police, Anita has pity for her friends who are without “neige” (snow, probably cocaine) now, and tries to help them out.Read More »

Filmed in the UK in 1969, this documentary by Godard and the Dziga Vertov Group represents an analysis of production and the status of women in capitalist society and a speculation about class consciousness and the need for political organization. A group of men formed by trade unionists and employers debate on what measures would benefit their respective classes. At the same time, a group of young hippies tested several Beatles songs.Read More »

Jean-Luc Godard made the hour-long 1969 experimental documentary British Sounds also known as See You at Mao for London Weekend TV in 1969. In the opening scene, a ten minute long tracking shot along a Ford factory floor, a narrator reads from The Communist Manifesto. This is followed by a woman wandering around her house naked while a narrator reads a feminist-tinged text, a news commentator reading a pro-capitalist rant that is repeatedly and abruptly cut off to show workers that contradict his statements, and a group of young activists preparing protest banners while transposing communist propaganda to Beatles songs (“You say Nixon/I say Mao” to “Hello Goodbye”). It closes with a fist repeatedly punching through a British flag. It’s a bold and assaultive socialist screed made during the director’s most divisive political period and was banned from television. Of note are the director’s experiments juxtaposing image, text, and sound. ~ Michael Buening, All Movie GuideRead More »