Jeff Bridges

So-called ‘special agent’ infiltrates into the gym, which is targeted by a dirty business fraud.Read More »

Quote:
The Last Picture Show is one of the key films of the American cinema renaissance of the seventies. Set during the early fifties, in the loneliest Texas nowheresville to ever dust up a movie screen, this aching portrait of a dying West, adapted from Larry McMurtry’s novel, focuses on the daily shuffles of three futureless teens—the enigmatic Sonny (Timothy Bottoms), the wayward jock Duane (Jeff Bridges), and the desperate-to-be-adored rich girl Jacy (Cybil Shepherd)—and the aging lost souls who bump up against them in the night like drifting tumbleweeds, including Cloris Leachman’s lonely housewife and Ben Johnson’s grizzled movie-house proprietor. Featuring evocative black-and-white imagery and profoundly felt performances, this hushed depiction of crumbling American values remains the pivotal film in the career of the invaluable director and film historian Peter Bogdanovich.Read More »

From IMDB
A brave unicorn and a magician fight an evil king who is obsessed with attempting to capture the world’s unicorns.Read More »

Synopsis:
Nineteen years after President Timothy Kegan (John Warner) was assassinated, his brother Nick (Jeff Bridges) discovers a dying man claiming to have been the gunman. While trying to avoid his wealthy and domineering father’s attempts to control his actions, Nick follows the clues that have been handed to him. As he progresses, it becomes increasingly difficult to discern the real trails from the dead ends, and increasing dangerous as unknown parties try to stop Nick from uncovering the truth.Read More »

Brooklyn Academy of Music writes:
Amidst the wide open majesty of Montana, an ex-con turned preacher (Eastwood) resumes his bank robbing ways when he teams up with a brash young scofflaw (Bridges). Clint Eastwood’s tough guy terseness plays nicely off Jeff Bridges’ goofy amiability in this wonderfully loose-limbed combination of ‘70s road movie, buddy comedy, and heist film, which marked the feature debut of The Deer Hunter director Michael Cimino.Read More »

Berkeley Art Museum / Pacific Film Archive writes:
Hailed as John Huston’s “comeback” film in 1972, Fat City is a film that deserves to come back more often. Based on a novel by Leonard Gardner, who also wrote the screenplay, and photographed by the excellent Conrad Hall (In Cold Blood), it is a portrait of the seedy, small-time boxing milieu of Stockton, CA. (“Huston is in his element here,” Andrew Sarris wrote, “simply because his realistic affectations have always been merely a cover and an alibi for his romantic affection for the compulsive losers of this world.”) The losers in Fat City are two prizefighters (Stacy Keach and Jeff Bridges), a sherry-drinking barfly (Susan Tyrrell), her jailed and released black lover (Curtis Cokes), and assorted fight managers, boxers, lettuce pickers, bartenders and countermen…Read More »

Plot Synopsis [AMG]
As much an eccentric character study as a road movie, Michael Cimino’s directorial debut follows the adventures of a quartet of misfits in their life of crime. Retired thief Thunderbolt (Clint Eastwood) and sweet drifter Lightfoot (Jeff Bridges) meet cute when Thunderbolt jumps into Lightfoot’s stolen car to escape a gunman. The pair embarks on an oddball journey to get Thunderbolt’s loot from an old robbery before his former associates, the sadistic Red (George Kennedy) and cretinous Goody (Geoffrey Lewis), get to it first, but all four are too late; the one-room schoolhouse hiding place has apparently vanished. So instead, the four play house and work legit jobs while they plot to rob the same place Thunderbolt and Red hit before. Read More »

Quote:
A fairy tale grounded in poignant reality, the magnificent, Manhattan-set The Fisher King, by Terry Gilliam, features Jeff Bridges and Robin Williams in two of their most brilliant roles. Bridges plays a former radio shock jock reconstructing his life after a scandal, and Williams is a homeless man on a quest for the Holy Grail—which he believes to be hidden somewhere on the Upper East Side. Unknowingly linked by their pasts, the two men aid each other on a fanciful journey to discovering their own humanity. This singular American odyssey features a witty script by Richard LaGravenese, evocative cinematography by Roger Pratt, and superb supporting performances by Amanda Plummer and an Oscar-winning Mercedes Ruehl, all harnessed by Gilliam into a compassionate, funny modern-day myth.Read More »