Quote:
Set during World War II, an upper-class family begins to fall apart due to the conservative nature of the patriarch and the progressive values of his children.Read More »
Joanne Woodward
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James Ivory – Mr. & Mrs. Bridge (1990)
Drama1981-1990James IvoryUSA -
Martin Ritt – The Long, Hot Summer (1958)
1951-1960DramaMartin RittUSASynopsis:
Sixty-one year old widower Will Varner (Orson Welles), in ill health, owns many businesses and property in Frenchman’s Bend, Mississippi, including a plantation. To him, his children are a disappointment, who he sees as not being able to carry on the Varner name in the style to which he has built around it. Son Jody (Anthony Francoisa) has no ambition and does not work, spending much of his time fooling around with his seductive wife, Eula (Lee Remick). He finds twenty-three-year-old daughter Clara (Joanne Woodward) clever, but he feels she also wastes her time on more contemplative pursuits. Read More » -
Paul Newman – The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972)
1971-1980DramaPaul NewmanUSASynopsis:
Widowed Beatrice Hunsdorfer is miserable in her life, and in turn she has contempt for everyone around her. She blames everyone except herself for her problems, but most specifically her now deceased husband George who left her before he died. People who know her believe she’s crazy. She dreams of a better life – mostly by wanting to open a tea room where she would sell what she believes would be her world famous cheesecake – while realistically not being able to achieve that dream as she lounges around her run down and unkempt house smoking, drinking, reading the personal ads in the newspaper, and somewhat taking care of her elderly boarder, which is how she makes ends meet.Read More » -
Sidney Lumet & Joseph L. Mankiewicz – King: A Filmed Record… Montgomery to Memphis (1970)
1961-1970DocumentaryJoseph L. MankiewiczSidney LumetUSAFrom Wikipedia, the free encyclopedia
King: A Filmed Record… Montgomery to MemphisKing: A Filmed Record… Montgomery To Memphis is a 1970 American documentary film biography of Dr. Martin Luther King, Jr., presented in the form of newsreel footage and segments of recordings by Dr. King, framed by celebrity narrators, including Marlon Brando, Paul Newman, Joanne Woodward, Ruby Dee, James Earl Jones, Clarence Williams III, Burt Lancaster, Ben Gazzara, Charlton Heston, Harry Belafonte, The movie was produced by Richard Kaplan and Ely Landau.Read More »
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Anthony Harvey – They Might Be Giants (1971)
1971-1980Anthony HarveyComedyMysteryUSASynopsis:
They Might be Giants chronicles the adventures of Sherlock Holmes and Dr. Watson in modern-day New York City. The fact that Sherlock Holmes is a psychotic paranoid and Dr. Watson is a female psychiatrist fascinated by his case is almost beside the point. Dr. Watson follows Holmes across Manhattan and is, against her better judgment, drawn into the master detective’s world of intrigue and danger. This is a sweet, goofy and fairly romantic film that asks the questions “Whose reality is right…and does it really matter?”Read More » -
Stuart Rosenberg – WUSA (1970)
1961-1970DramaPoliticsStuart RosenbergUSAThe Egyptian Theatre writes:
COOL HAND LUKE director Stuart Rosenberg reunites with Paul Newman on this overlooked and underrated adaptation of Robert Stone’s Hall of Mirrors (Stone also wrote Dog Soldiers, which was filmed as WHO’LL STOP THE RAIN). Newman is an itinerant, hard-drinking disc jockey who shows up in New Orleans looking for a job. Con man buddy Laurence Harvey, masquerading as a fundamentalist preacher, points Newman to WUSA, a right-wing radio station run by megalomaniac Pat Hingle. Taking a gig reading news, Newman gradually becomes disgusted by the blatant lies spewed by the station.Read More » -
Paul Newman – Rachel, Rachel (1968)
1961-1970DramaPaul NewmanQueer Cinema(s)USAPaul Newman made his directorial debut and Newman’s wife, Joanne Woodward, stars as Rachel Cameron, a 35-year-old unmarried schoolteacher who feels as though she’s wasted her life. Rachel’s best friend, Calla Mackie (Estelle Parsons), invites her to attend a religious revival meeting. Here Rachel is swept up in the emotional fervor orchestrated by a young guest preacher (Terry Kiser). This is the first of several cathartic incidents which convince Rachel to kick over the traces and express her own needs and emotions. She has a brief sexual liaison with an old family friend (James Olson), and is delighted at the notion that she might have become pregnant. Rachel ends up alone and childless (her “pregnancy” was nothing more than a benign cyst), but still determined to forge a new life for herself. Based the novel A Jest of God by Margaret Laurence, Rachel, Rachel won New York Film Critics awards for both Joanne Woodward and Paul Newman, and an Oscar nomination for Joanne Woodward.Read More »
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Gilbert Cates – Summer Wishes, Winter Dreams (1973)
1971-1980DramaGilbert CatesUSAPlot Synopsis by Michael Betzold
American GI Harry Walden (Martin Balsam) emerged from a harrowing experience in WWII to find himself living an outwardly-happy but inwardly-empty and tedious existence in the post-war U.S. He is an eye doctor, successful in his work, but unfulfilled spiritually and emotionally. He and his wife Rita (Joanne Woodward) have a boring existence, with their biggest issue being what kind of wallpaper to choose when they redecorate their apartment. They are dysfunctional, materialistic, and utterly lost. Rita is neurotic and unhappy, especially after her mother (Sylvia Sidney) dies. They decide to visit France and go to the battlefield where Harry once spent a night in the company of three dead German soldiers. The trip is intended to reawaken their deadened humanity. Summer Wishes, Winter Dreams is a challenging, slow and thoughtful depiction of the corroding effects of a materialistic lifestyle.Read More » -
Sidney Lumet – The Fugitive Kind (1959)
Drama1951-1960RomanceSidney LumetUSAQuote:
Poignant and poetic, The Fugitive Kind is a challenging film that works more often than it doesn’t. Based on Tennessee Williams’ Orpheus Descending—a play that had been critically panned and did little business in its original Broadway run—this adaptation boasts terrific performances, atmospheric direction by Sidney Lumet (The Verdict), and excellent cinematography by Boris Kaufman (On the Waterfront).Read More »