Quote:
On the anniversary of the death of the mother of a hip and happening Tokyo-based photographer, the son returns to his hometown for the funeral. What follows is a return to the past that is more than just a trek home. Old relationships, love, conflicts and memories resurface and collide. Apparently, old perspectives don’t wither.Read More »
Japanese artist, Foujita, is Paris’ darling in the roaring twenties, loved for his delicate nudes. After leaving his 1st wife, Fernande, he meets Lucie Badoud and names her Yuki (snow in Japanese) after her exquisitely pale skin. Together with their friends Van Dongen, Kisling, Picasso, Modigliani & Kiki, they go to all the parties! On the outbreak of WWII, Foujita returns to Japan with his new Japanese wife, Kimiyo. He exhibits his war paintings that are much darker than the delicate whites of his Paris period. As the battles intensify, Foujita retreats to the country with Kimiyo and discover a Japan he never knew. Foujita returns to France years later. Here, newly naturalised, he takes on the French name Léonard and builds the chapel “Notre Dame de la Paix” in Reims, his final work.Read More »
Quote:
Saori has always disliked her gay father and has lived her life denying his existence. One rainy day she receives a visit at work from a young man called Haruhiko. He tells her that her father is dying of cancer and that the nursing home he operates is in danger of closing. Out of curiosity and debt, Saori goes to visit her father at the House of Himiko, a nursing home for gay old men. It is a sad place but filled with sardonic good cheer. Surprised but pleased, Haruhiko shows her around. The old men who live there are delighted. Saori is at first repelled by the relationship between Haruhiko and Himiko but she soon sees that their feelings are genuine. She begins taking an interest in keeping the nursing home alive…Read More »
Quote:
Dream (or Bi-mong, as is the Korean title) is already Ki-duk’s 15th film. It’s also the 15th Ki-duk film I watched so obviously you can consider me a fan. Ki-duk is a director who’s known to stay pretty close to what he does best, so even though the differences between Dream and his earlier films might not seem stellar, they do present a big deviation for Ki-duk standards. Yet in the end, Dream is still 100% Ki-duk and couldn’t have been made by any other.Read More »