John Ford

  • John Ford – The Last Outlaw (1919)

    1911-1920John FordSilentUSAWestern

    A grizzled hero is revisiting the town of his youthful exploits.Read More »

  • John Ford – The Village Blacksmith (1922)

    1921-1930DramaJohn FordSilentUSA

    This was Ford’s 46th film in 5 years. The film seems to be overly melodramatic, a young man in a wheelchair drags himself (in pouring rain) to the house of the man who stole money from the church donation drive. There’s also a woman walking through the rain who gets struck by lightning, a whipping, a fist fight or two, a wedding, an operation?Read More »

  • John Ford – Torpedo Squadron (1942)

    1941-1950DocumentaryJohn FordShort FilmUSA

    There were only 30 copies of this film made, one for each family who lost someone during the attack on the Japanese fleet at Midway on 4 June 1942 by Torpedo Squadron 8, VT-8, USS Hornet. The squadron was led by Cmdr John Waldron, and this video was made using the original film that had been given to Waldron’s wife & daughter. The original film was made by John Ford from the footage of of classic documentary, The Battle of Midway.

    A short documentary filed during the Battle of Midway, June 4, 1942. Focuses on the 30 men in the torpedo squadron of the US Aircraft Carrier Hornet.Read More »

  • John Ford & Gregg Toland – December 7th (1943)

    1941-1950DocumentaryGregg TolandJohn FordUSAWar

    Quote:

    Utilizing stock military footage of Pearl Harbor, December 7th departs from the typical documentary form to present a narrative framing device featuring Walter Huston as a character representing Uncle Sam, Harry Davenport as a folksy representation of “conscience” called Mr. C, and Dana Andrews as the ghost of an American soldier. The story opens on December 6, 1941, the day before the attack, with Uncle Sam and Mr. C carrying on a discussion about the history of Hawaii and the country’s war preparations. One of the approaches taken by co-directors John Ford and Gregg Toland was to paint the Japanese-American citizens of Hawaii (37 percent of the population, according to the film) as potential traitors, fifth-columnists spying on their “American” employers for information to hustle back to the “homeland.” Read More »

  • John Ford – Chesty: A Tribute to a Legend (1976)

    1971-1980DocumentaryJohn FordUnited KingdomWar

    A documentary about Lt. Gen. Lewis “Chesty” Puller, USMC. Interviews, combat footage, parade at Virginia Military Institute. Made for TV, but never sold or released.Read More »

  • John Ford – Stagecoach (1939)

    1931-1940ClassicsJohn FordUSAWestern

    Synopsis:
    John Ford’s landmark Western revolves around an assorted group of colorful passengers aboard the Overland stagecoach bound for Lordsburg, New Mexico, in the 1880s. An alcoholic philosophizer (Thomas Mitchell), a lady of ill repute (Claire Trevor) and a timid liquor salesman (Donald Meek) are among the motley crew of travelers who must contend with an escaped outlaw, the Ringo Kid (John Wayne), and the ever-present threat of an Apache attack as they make their way across the Wild West.Read More »

  • John Ford – Four Sons (1928)

    John Ford1921-1930DramaUSAWar

    A Bavarian mother loses three sons in World War I and goes to America to join the fourth.Read More »

  • John Ford – Kentucky Pride (1925)

    John Ford1921-1930ComedyUSA

    Kentucky Pride is a 1925 American silent drama film from Fox Film about the life of a horse breeder and racer, directed by John Ford and starring Henry B. Walthall (who had previously played the Little Colonel in D. W. Griffith’s The Birth of a Nation). It is among Ford’s lesser-known works, but has been praised for sweetness and charm and its beautiful depiction of the life of horses and the relationship between the protagonist and his daughter. Several well-known thoroughbred racehorses appear in the film, including the legendary Man o’ War.Read More »

  • John Ford – Steamboat Round the Bend (1935)

    John Ford1931-1940ComedyDramaUSA

    Quote:
    “Steamboat ‘Round the Bend” was a personal project for Ford who saw the novel (Ford purchased the adaptation rights from writer Ben Lucien Burman) as a potential opportunity to work with his good friend Will Rogers. The pictures he directed at Fox were usually lighter affairs with a sustained focus on entertainment rather than art. Ford is generally not remembered for such films because his precise framing and noble themes brought him far more recognition and acclaim. Nevertheless, Ford still had the sense to know how to present a good comedy.Read More »

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