Jon Voight

  • John Boorman – Deliverance (1972)

    John Boorman1971-1980AdventureQueer Cinema(s)ThrillerUSA

    Intent on seeing the Cahulawassee River before it’s dammed and turned into a lake, outdoor fanatic Lewis Medlock takes his friends on a canoeing trip they’ll never forget into the dangerous American back-country.Read More »

  • Hal Ashby – Lookin’ to Get Out (1982)

    1981-1990CrimeDramaHal AshbyUSA

    Two gamblers must leave New York City after one loses a lot of money. Doing what all gamblers in trouble would do, they hurry to the gambling capital Las Vegas to turn their luck around.

    Unlike his previous film (ugly, awful Second-Hand Hearts), this is an interesting one from Hal Ashby, where he successfully does a Cassavetes-style direction. A number of scenes look more like bloopers that usually get cut out, but that’s where improvisation can take you every now and then, and Ashby was willing to take that road, especially considering the fact that extended version is the one that probably saved all those bloopers. A successful mess that owes most of its charm to Burt Young, who is just amazing and swims in this mess like a fish.Read More »

  • Maximilian Schell – Der Richter und sein Henker AKA End of the Game AKA Murder on the Bridge (1975)

    1971-1980CrimeGermanyMaximilian SchellMystery

    While investigating a high-profile murder case, a savvy but unorthodox veteran police inspector has to cope with a bad conscience, bad health, an overzealous partner, a timid superior and interference from political interests. This is an existential whodunit, but a good one, and like any good whodunit, ends with a very surprising conclusion, which will be spoiled for you if you read much of anything at all about the movie.Read More »

  • John Schlesinger – Midnight Cowboy (1969)

    Drama1961-1970John SchlesingerQueer Cinema(s)USA


    In 1969, following an anti-establishment path blazed famously by Bonnie and Clyde, then-X-rated Midnight Cowboy lumbered into the cinema consciousness and swiped the Best Picture Oscar. While Hollywood was producing Hello, Dolly! (also nominated that year), Dustin Hoffman, Jon Voight and director John Schlesinger were chronicling the bizarre tale of a wannabe male prostitute and a sickly cripple trying to survive together on the New York City streets.Read More »

Back to top button