
Synopsis
An advice columnist in the midst of getting a divorce begins receiving threatening notes from an anonymous stalker. Meanwhile, members of her group therapy session are being murdered by an unknown assailant.Read More »
Synopsis
An advice columnist in the midst of getting a divorce begins receiving threatening notes from an anonymous stalker. Meanwhile, members of her group therapy session are being murdered by an unknown assailant.Read More »
Quote:
A few decades after the destruction of the Inca Empire, a Spanish expedition led by the infamous Aguirre leaves the mountains of Peru and goes down the Amazon River in search of the lost city of El Dorado. When great difficulties arise, Aguirre’s men start to wonder whether their quest will lead them to prosperity or certain death.Read More »
In early 2023, a Madrid film archivist made a startling discovery: the uncut camera negative of COUNT DRACULA, in pristine condition and untouched for over 50 years. This gothic masterpiece from writer/director Jess Franco can now be experienced like never before, from its brilliant performances by Christopher Lee as the Count, Herbert Lom as Van Helsing, Soledad Miranda as Lucy, Maria Rohm as Mina and Klaus Kinski as Renfield to its sumptuously unnerving cinematography and eerie Bruno Nicolai score.Read More »
A Swiss-German horror film with Klaus Kinski as the notorious Jack the Ripper. A respected doctor by day, Kinski dismembers London prostitutes by night, until the local Inspector’s girlfriend (Josephine Chaplin) goes undercover to catch him.Read More »
Quote:
Gonzalo Pizarro orders a small Spanish expedition of forty men to search for El Dorado, leaving the mountains of Peru and going down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirre, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to “the golden city”, or to certain destruction?Read More »
Quote:
Everything in town appears calm, placid, lovely. But Woyzeck, a rifleman assigned as an orderly, hears voices — the times are out of joint, at least in his cosmos. To his captain, Woyzeck is a comic marvel: ignorant but courageous, full of energy to little purpose. To a local doctor, Woyzeck is a curiosity, the object of cruel study. Woyzeck, 40, has a young wife, Marie, and a small child. He dotes on them, but Marie, even though she has periods of guilt and remorse, carries on affairs and flirtations. When the captain lets drop broad hints of Woyzeck’s being a cuckold, his inner demons and the voices of the spheres take over. Will madness bring action? Of what sort?Read More »
Synopsis:
A Palestinian bomber has killed an Israeli diplomat and his family and the Israeli plot to neutralise him becomes convoluted as they select an American Actress (Charlie) to impersonate the Bomber’s brother’s girlfriend after the Israeli’s capture and kill the brother. Charlie is placed into a world where she begins being an actress, then becomes a spy, then is trained by the Palestinians as a guerrilla and finally is sent to deliver a bomb. She is chronically confused by how far she is really supposed to go in her impersonations and how much of herself she must give up.Read More »
Berlin, Deutschlandhalle, November 20 th 1971. Kinski emerges into a lone spotlight on an empty stage. Shoulder length hair, plain jeans, a shirt with flower and polka dot patterns. No set, no stage effects, no costume. By reciting his own version of the New Testament’s “Jesus Christ Saviour”, he realizes a project well over 10 years in the making.
It is the time of the Hippie movement, and Andrew Lloyd Webber’s musical “Jesus Christ Superstar” is celebrating a sensational success in Germany as well. It is also a time of nonviolent resistance.Read More »
A girl loves an older man. He demands that she goes in a brothel, as evidence that she loves him.
Shuji Terayama adapted his 1981 film, The Fruits of Passion, from the eponymous Pauline Reage’s sequel to her well regarded book, The Story of O. However, ‘adapted’ is used very loosely in this instance, as Terayama uses the opportunity to completely reshape the structure of the novel, and use only it’s themes and characters to create a story that is uniquely his. According to the credits, the text of the narration and O’s dialogue itself was taken directly from the short novel, but everything else is pure Terayama.Read More »