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Masaki Kobayashi’s six-part magnum opus, The Human Condition, based on Junpei Gomikawa’s postwar novel, bears the imprint of Kobayashi’s tutelage under legendary filmmaker Keisuke Kinoshita at Shochiku’s Ofuna studio, a critical, introspective, and deeply personal account of wartime Japan framed from the perspective of an idealistic everyman (and Kobayashi’s alterego), Kaji (Tatsuya Nakadai). Opening to the ironic image of lovers Kaji and Michiko (Michiyo Aratama) meeting under an archway auspiciously called the Southern Gate of Peace in Manchuria as Imperial troops march in the street, Kobayashi presents an incisive image of 1930s Japanese society that is morally consumed—and ravaged—by increasingly extremist values of militarism, occupation, and nationalism.Read More »