In a small village in southern Morocco, Amrouch cannot, because of his social position, marry the daughter of a wealthy farmer from the nearby village. Based on Federico Garica Lorca’s novel. This was filmed in French, but the DVD only had a Spanish dub.Read More »
it’s a movie about a woman who beheads her brother, stabs her children, and sends her lover’s wife up in flames. For Maria Callas, it’s a natural.
Based on the plot of Euripides’ Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.Read More »
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Two anarchistic brothers live by petty thievery and try to recover from their Catholic upbringing. Bandiera (Laurent Terzieff) and Rabbino (Franco Citti) were children when they pushed their drunk of a father out of a window for killing their pet sheep. When a girl is raped by her father, she is brought by young “rescuers” to the home of the two brothers who then watch their friends take advantage of her sexually. The brothers take her in, and the three live happy and celibate if not uneventful lives until the brother’s are sent to jail for stealing. When they emerge from prison, the two fight over the girl, whom they both have fallen in love with.Read More »
Synopsis
Brittany, Christmas 1943. Herta von Stauffen, a German soldier, makes an attempt to join her husband, Colonel von Stauffen, whom she has not seen since their wedding day. But Von Stauffen has orders to celebrate Christmas with his troops and so Herta is sent to the house of the widow Parisot, an old woman who regards Herta as an enemy because she is a German. That evening, a Frenchman lands by parachute in the nearby woods. His mission is to prepare for an attack by British soldiers. This man is Charles, the son of Madame Parisot, whose home offers a natural hiding place. Neglected by her husband, Herta begins to fall in love with Charles. Events take an explosive turn when Colonel Von Stauffen gives the order for the mysterious parachutist to be found…Read More »
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A mythical tale of love, betrayal and revenge, Medea is a fascinating collision of Freudian and Marxist themes from Italy’s most controversial director, Pier Paolo Pasolini. Adapted from the Euripides drama, Pasolini’s disturbing vision of personal and national conflicts stars operatic legend Maria Callas in the title role, offering an extraordinary performance as the high priestess Medea whose love is threatened by corrupt political ambition. A vivid and aesthetically challenging vision, Medea is a complex blend of classical mythology and contemporary social criticism.Read More »
After a painful separation from the woman he loved, Julien (Laurent Terzieff) leaves his apartment.
He goes in search of his yesterday friends but no one answers him and the town stays silent.
So Julien is leaving the city in search of his childhood, his old school and his favorite teacher.
To the children who are here today he speaks a language that charm them
as it also charms the discreet Sylvie (Dominique Sanda)
His original teaching method is not to the taste of everyone.
It will even provoke the hostility of the parents and the administration. He’s fired.
Continuing his way, Julien goes to the sea and enters the sea.
The classroom doors suddenly open and a huge crowd of children
suddenly appears at the top of the dunes preparing to invade the beaches.
Then a storm breaks, a new battle is prepared and Utopia seems closer than ever.Read More »
A 4-year-old child is the element from and around which the action develops, and brings sentiments and emotions to light. The French word “révélateur”/developper describes the product to develop or “reveal” film negatives.)Read More »
Steve Seid writes:
Clouzot’s final foray into features takes us into another tortured love triangle to explore voyeurism and, by extension, the very gaze that so draws us to cinema. Josée (Elisabeth Wiener) meets her artist-lover’s gallerist, the chic but kinky Stanislas Hessler (Laurent Terzieff), whose hobby is photographing female nudes in S&M postures. Naturally, Josée succumbs to the temptation to pose, but finds she needs bonding not bondage. Enter the obsessive kinetic artist Gilbert (Bernard Fresson), and the triangulated trap is sprung. Like Peeping Tom, Woman in Chains uses the camera’s gaze as a substitute for our own voyeuristic impulse.Read More »
Synopsis by Hal Erickson
An Italian/French/Yugoslavian/Liechtensteinian coproduction (whew!), Thou Shalt Not Kill features Laurent Terzieff as a French conscientious objector. Interwoven with his story is the saga of a German priest (Horst Frank) who faces stiff punishment for killing a Frenchman during the Second World War. Director Claude Autant-Lara characteristically uses these twin plotlines as a platform to espouse his Leftist political beliefs and to heartily condemn the Catholic church. As a result, the fact-based Thou Shalt Not Kill (originally Tu Nes Tuera Point) caused quite a stir upon its first release. Many of its sentiments became more palatable in the late 1960s, though even at that time critics carped at Autant-Lara’s cut-and-dried directorial techniques.Read More »