Tag Archives: Liliana Cavani

Liliana Cavani – Ripley’s Game (2002)

Tom Ripley (yes same character from The American Friend – Dennis Hopper and Bruno Ganz – and The Talented Mr. Ripley – Matt Damon ). Some are more loosely based on the initial written character than others and occasionally bear only slight resemblances. I’ll wager reams have been written about this intriguing film, but on the surface we have a character study of a man who has chosen to live his life devoid of empathy (selective) to his fellow man. Quite a cynical microcosm of modern humanity. But the debate, of course, is how accurate that is. Is Ripely a true sociopath? Are we, as a society, all moving in the direction of the intense selfishness of Mr. Ripley? is that how our society has evolved? – to squash those who would stand in the way of our economic benefits. Read More »

Liliana Cavani – Il portiere di notte AKA The Night Porter (1974) (HD)

New 2K digital restoration
In this unsettling drama from Italian filmmaker Liliana Cavani, a concentration camp survivor (Charlotte Rampling) discovers her former torturer and lover (Dirk Bogarde) working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them. Operatic and disturbing, The Night Porter deftly examines the lasting social and psychological effects of the Nazi regime. Read More »

Liliana Cavani – Oltre la porta aka Beyond Obsession aka Beyond The Door (1982)

From Time Out Film Guide
There is something to be said for Liliana Cavani, but it is difficult to remember what it is. The cruelty of her Night Porter was ruined by sentimentality, and Beyond Good and Evil managed to conflate Nietzsche and Robert Powell in a ménage à trois. Beyond the Door is the usual mix of cheapjack sentiment, cutprice Freudian familial relations, and a baffled cast running way over boiling point. Giorgi (a madonna face) keeps her stepfather Mastroianni (or maybe he’s her father) in a Moroccan prison after faking evidence against him over her mother’s death, so that she can keep her claws on his body, which she desires far more than the American oilman (Berenger, looking like a young Paul Newman) who desires her like mad but can’t understand what’s going on here. Un peu tortueuse, hein? There are some dinky touristique scenes in the brothels of Marrakesh, that mosaic city which caters to the devices and desires of your heart; but it should all have been made in hardcore by Gerard Damiano (Behind the Green Door). CPea. Read More »

Liliana Cavani – I cannibali AKA The Year of the Cannibals (1970)

Synopsis:
The streets of a big city are full of dead bodies but people seem not to notice and pass by indifferently. At the behest of the authorities, the bodies of those citizens who were killed because the rebels should serve as a warning. Antigone wants to bury her brother. A young foreigner who speaks a foreign language and will offer his cooperation. Together, they try to bury the dead, but are discovered and killed. However, the example of the two is followed by other young people who take to the streets to continue to bury the corpses, again defying the authorities Read More »

Liliana Cavani – Milarepa (1974)

Quote:
Tibetan yogi Milarepa is one of the main teachers of Buddhism. His autobiography is filmed here parallel with a story of a youth of our days, both seeking answers to same questions. They have masters whose decisions they don’t fully catch, and there are women whose roles are ambiguous. Master and disciple depend in each other, in fierce search for truth; only belief and honor count. Cavani made an extraordinary movie which has not lost any of its charm within years. It is a meditation of man’s destiny and also a narrative of the parallel but non- tangential lives of man and woman. This film can be read as a visual philosophical tract and an homage to Milarepa. Aside of that, the film is very beautiful visually and the great actors fully contribute to the ideas of both Milarepa and Cavani.
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Liliana Cavani – La pelle aka The Skin [+Extras] (1981)

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Based on the short stories of Curzio Malaparte, The Skin is Liliana Cavani s controversial look at the aftermath of the German occupation of Italy during WWII and the equally difficult results of life during the Allied liberation. Marcello Mastroianni stars as writer Malaparte, who chronicled the desperate measures taken by his countrymen in order to survive. Burt Lancaster co-stars as the liberating American General unable to understand the devastation around him. Read More »