Lucia Bosé

  • Pere Portabella – Nocturno 29 AKA Nocturne 29 (1968)

    1961-1970ArthouseExperimentalPere PortabellaSpainSpanish cinema under Franco

    Synopsis
    Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship.Read More »

  • Juan Antonio Bardem – Muerte de un ciclista AKA Death of a Cyclist (1955)

    1951-1960CrimeDramaJuan Antonio BardemSpainSpanish cinema under Franco

    Synopsis:
    A couple traveling through the countryside strike a man on a bicycle. When they get out of their car to examine him, they find that he is injured but not dead. But instead of helping the man, Juan (Alberto Closas) and Maria Jose (Lucia Bosé) do the unthinkable. They flee – rather than reveal that they have been carrying on a long-term affair.

    When they return to Madrid, the couple pay a terrible price for their deception. Guilt begins to gnaw away at them, especially at Juan, who is also experiencing conflict with his young students over an ethical issue at the university where he teaches…Read More »

  • Claudio Guerín – La casa de las palomas AKA The House of the Doves (1972)

    1971-1980Claudio GuerínDramaSpain

    Synopsis:
    ‘This Spanish/Italian melodrama concerns the rivalry between a mother and her daughter for the affections of a rakish drifter. The mother has known his affection before, but on this particular journey through their town, he is drawn to the girl instead. He takes her to his favorite assignation place, a nearby whorehouse, and they begin to see one another regularly, until one day the mother takes her place. The girl’s response to this is somewhat drastic.’
    – Clarke FountainRead More »

  • Michelangelo Antonioni – La signora senza camelie AKA The Lady Without Camelias (1953)

    1951-1960ArthouseDramaItalyMichelangelo Antonioni

    The third feature film by cinema master Michelangelo Antonioni, La signora senza camelie [The Lady Without Camelias], expanded the expressive palette of contemporary Italian movies, demonstrating that a personal vision could take an explicitly poetic tack; that “seriousness = neo-realism” was perhaps already turning into something of a truism; and that Antonioni would answer to no-one but himself.Read More »

  • Paolo Taviani & Vittorio Taviani – Sotto il segno dello scorpione AKA Under the Sign of Scorpio (1969)

    1961-1970ArthouseItalyPaolo Taviani and Vittorio TavianiPolitics

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    Quote:
    This symbolic film underscores the struggles between a group of visionaries versus the Establishment while wondering about the survival of humankind. A group of young men manage to escape a volcano eruption on their small island. Seeking a new life, they stop at an island between their destroyed island and the mainland. This island is run by Renno, the community leader who offers the men help and a boat to continue their journey. The group conspires to panic the islanders with fear of another volcano eruption in order to take over the abandoned island. Renno has the men jailed for creating a disturbance, but after their terms are served, the men betray Renno by killing off the male population and escaping with the surviving women. The two apparently go off to pursue their utopian ideals where there is one woman for every two men.Read More »

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