The story of James Whale, the director of Frankenstein (1931) and The Bride of Frankenstein (1935), in the time period following the Korean War. Whale is homosexual and develops a friendship with his gardener, an ex-Marine.Read More »
Lynn Redgrave
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Bill Condon – Gods and Monsters (1998)
1991-2000Bill CondonDramaUSA -
Desmond Davis – Smashing Time (1967)
Drama1961-1970CampDesmond DavisUnited KingdomSynopsis:
Two young women from England’s northern counties; the plain Brenda and the flamboyant Yvonne, arrive in London to find fame and fortune. Misdirected and separated, they strike out on their own with Yvonne becoming a model and Brenda a waitress. After Brenda sabotages Yvonne’s date whom takes advantage of her, they lose their jobs and soon the roles are reversed with Brenda succeeding as a model and Yvonne becoming a waitress. With both of them competing with the other, they soon learn that they have to team up to take on their adversaries in order to succeed.Read More » -
Desmond Davis – Girl with Green Eyes (1964)
1961-1970ClassicsDesmond DavisDramaUnited KingdomSynopsis:
Innocent Kate Brady (Rita Tushingham) leaves her family farm and heads for Dublin, where she lives with her former convent friend Baba Brennan (Lynn Redgrave). She soon meets older man Eugene (Peter Finch), who is a writer and intellectual. Kate and Eugene fall in love. However, when Kate’s father finds out about their romance, he is determined to break it up. Kate remains devoted to Eugene, but their love disintegrates when Eugene realizes that he really has nothing in common with Kate.Read More » -
Charles Burnett – The Annihilation of Fish (1999)
1991-2000Charles BurnettComedyDramaUSAQuote:
James Earl Jones and Lynn Redgrave star as mutually insane neighbors in a California apartment house who become romantically involved (she thinks she’s sexually intimate with Puccini, and he periodically wrestles with a demon of his own named Hank). Charles Burnett (Killer of Sheep, The Glass Shield) directed this whimsical, bittersweet 1999 feature, handling the actors with sensitivity, but the preciousness of Anthony C. Winkler’s screenplay, adapted from his own novel, only underlines how much better off Burnett is writing his own scripts (Nightjohn being an exception). With Margot Kidder.
Jonathan Rosenbaum, Chicago ReaderRead More »