Marie Déa

  • Robert Siodmak – Pièges AKA Personal Column (1939)

    1931-1940FranceMusicalRobert SiodmakThriller

    When 11 young Parisian women mysteriously disappear, the police recruit Adrienne Charpentier, the friend of the latest victim, to investigate. The only thing which seems to link the disappearances is that each of the victims replied to a small ad in the newspapers. In answering a number of ads herself, Adrienne meets some suspicious individuals, but they all turn out to be innocent. Then she meets a cabaret performer, Robert Fleury, who instantly falls in love with her. Soon after marrying Fleury, she discovers damning evidence that inculpates him as the murderer of the missing women…Read More »

  • Claude Lelouch – Mariage AKA Marriage (1974)

    Claude Lelouch1971-1980ArthouseDramaFrance

    Quote:
    Four wedding anniversaries serve to chronicle the beginning and end of a thirty-year marriage, in this tragicomic French film by director Claude Lelouche, best known to U.S. filmgoers for his Oscar-winning film A Man and A Woman. Henri (Rufus) and Janne (Bulle Ogier) are first seen on their wedding night as they hesitantly enter their new country house which faces a concrete bunker. They would really have preferred something in the city, but this is what they can afford. A resistance group overruns the house in order to take out the Germans in the bunker, and as a result of this raid Henri becomes forever associated with the resistance. Read More »

  • Marcel Carné – Les visiteurs du soir AKA The Devil’s Envoys (1942)

    1941-1950ClassicsFantasyFranceMarcel Carné

    Quote:
    A work of poetry and dark humor, Les visiteurs du soir is a lyrical medieval fantasy from the great French director Marcel Carné. Two strangers dressed as minstrels (Arletty and Alain Cuny) arrive at a castle in advance of court festivities—and are revealed to be emissaries of the devil, dispatched to spread heartbreak and suffering. Their plans, however, are thwarted by an unexpected intrusion: human love. Often interpreted as an allegory for the Nazi occupation of France, during which it was made, Les visiteurs du soir—wittily written by Jacques Prévert and Pierre Laroche, and elegantly designed by Alexandre Trauner and shot by Roger Hubert—is a moving tale of love conquering all.Read More »

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