Tag Archives: Marisa Paredes

Raoul Ruiz – Trois vies et une seule mort AKA Three Lives and Only One Death [+Extras] (1996)

A cleverly composed, prefiguring episode in Three Lives and Only One Death shows Mateo Strano (Marcello Mastroianni) in simultaneous, tripartite images (in a similar vein as Alain Resnais’ Last Year at Marienbad and Lina Wertmüller’s Love and Anarchy) through mirrors and split-screening as he continues to awkwardly fidget with his necktie even after a secondary point-of-view shot indicates that he has already placed his hands on the dinner table while waiting for his wife, Maria (Marisa Paredes) to return to the room. Read More »

F.J. Ossang – Docteur Chance (1997)

experimentalconversations.com wrote:
Like Godard, Francois-Jacques Ossang seems beached by the outgoing tide of that century, creating works variously engaged with sifting and evaluating its legacy. The Festival’s guest of honour, Ossang is a fascinating figure deserving of far wider international recognition than he currently receives. A child of the punk generation, he is also a poet and novelist, as well as lead singer of the band Mesagero Killers Boys. The Different Directions mini-retrospective included one of his three features, Docteur Chance (1997), and three more recent shorts, all projected in 35mm at the Town Hall Theatre. Read More »

Valeria Sarmiento – Linhas de Wellington AKA Wellington Lines [Theatrical Cut] (2012)

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On September 27, 1810, the French troops commanded by Marshal Massena, were defeated in the Serra do Buçaco by the Anglo-Portuguese army of general Wellington.

Despite the victory, Portuguese and British are forced to retreat from the enemy, numerically superior, in order to attract them to Torres Vedras, where Wellington had built fortified lines hardly surmountable.

Simultaneously, the Anglo-Portuguese command organizes the evacuation of the entire territory between the battlefield and the lines of Torres Vedras, a gigantic burned land operation, which prevents the French from collecting supplies.

This is the setting for the adventures of a multitude of characters from all social backgrounds – soldiers and civilians, men, women and children, young and old – to the daily routine torn by war and dragged through hills and valleys, between ruined villages, charred forests and devastated crops. Read More »