Mark Rydell

  • Mark Rydell – The Fox (1967)

    1961-1970CanadaDramaMark RydellQueer Cinema(s)

    Quote:
    ‘Jill Banford and Ellen March have built a good life together on a hardscrabble Canadian farm. Then handsome Paul Grenfel enters their isolated world, and sets friend against friend. But is Paul the real trouble between Jill and Ellen? Or has his presence merely awakened the unspoken, unexplored sexual tension that always existed between the women? Sandy Dennis, Keir Dullea and Anne Heywood portray the three sides of an incendiary triangle in this breakthrough film that sparked controversy in its day and remains fascinating in ours. Based on a D.H. Lawrence novella and directed by Mark Rydell (On Golden Pond), The Fox probes the mysteries of human relationships with maturity, subtlety and candor.’Read More »

  • Mark Rydell – The Fox (1967)

    1961-1970CanadaDramaMark Rydell

    Synopsis:
    ‘Jill Banford and Ellen March have built a good life together on a hardscrabble Canadian farm. Then handsome Paul Grenfel enters their isolated world, and sets friend against friend. But is Paul the real trouble between Jill and Ellen? Or has his presence merely awakened the unspoken, unexplored sexual tension that always existed between the women? Sandy Dennis, Keir Dullea and Anne Heywood portray the three sides of an incendiary triangle in this breakthrough film that sparked controversy in its day and remains fascinating in ours. Based on a D.H. Lawrence novella and directed by Mark Rydell (On Golden Pond), The Fox probes the mysteries of human relationships with maturity, subtlety and candor.’
    – WBshop.comRead More »

  • Mark Rydell – Cinderella Liberty (1973)

    1971-1980DramaMark RydellRomanceUSA

    Quote:
    This charming tough-love romance is yet more evidence why the early 1970s is considered one of the most creative times in Hollywood. Basically a story about a link-up between a sailor and a pool hall tramp, Cinderella Liberty overcomes traditional problems with such material. The “R” rating for once allows such characters to talk as they might, although our nice-guy hero has a thing against profanity. Darryl Ponicsan’s story acknowledges the desperation of sailors to find female companionship, especially when on ‘Cinderella Liberty,’ a shore pass that expires at midnight. Also breaking with Hollywood tradition, the film allows Marsha Mason’s hooker to be credibly profane and self destructive, and yet still be worthy of our concern. The movie has its share of emotional compromises but by the last act we’re only hoping that things turn out well for our deserving main characters.Read More »

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