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Set in France at the end of World War II Albert Dehousse finds out his father wasn’t a war hero and his mother is a collaborator. He leaves his wife and goes to Paris. Gradually he inveigles himself with the resistance movement. They trust him and he helps them trace collaborators.Read More »
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Jacques Audiard made his directorial debut in a spectacular fashion with Regarde les hommes tomber, one of the most visually striking and disturbing French thrillers of the 1990s. The son of the acclaimed French screenwriter Michel Audiard, he had scripted several films (going back to the mid-1970s) before he gravitated to the role of director and pretty well redefined the French film noir with this and his subsequent thriller offerings – Sur mes lèvres (2001), De battre mon coeur s’est arrêté (2005) and, of course, the stunning Un prophète (2009). Those aspects which most characterise Audiard’s distinctive brand of cinema – the nihilistic bleakness, the fragmented narrative, the assortment of fragile outcasts living on the abyss – are present in his first film, an idiosyncratic study in solitude and friendship.Read More »