Tag Archives: Maureen O’Hara

John Ford – The Long Gray Line (1955)

Plot Summary
Martin “Marty” Maher, an immigrant from Ireland, arrives at West Point where he is assigned to work in the kitchen. He soon proves to be ill-suited to such work and quits only to enlist in the army. The head of the West Point athletics department, Captain Koehler (known as the Master of the Sword), takes Marty on as an assistant. Marty proves to be no great specimen of a sports expert, but he has a winning way about him in dealing with the cadets, whether it’s boxing, swimming or football. Read More »

Lewis Allen – At Sword’s Point (1952)

Plot:
France, 1648: Richelieu and Louis XIII are dead, the new king is a minor, and the Duc de Lavalle is in virtually open rebellion, scheming to seize power. As a last resort, Queen Anne summons the heirs of the original Musketeers to her aid…including Claire, daughter of Athos, who when she chooses can miraculously pass as a boy, and wields as fine a sword as any. All their skills will be needed for a battle against increasing odds. One for all and all for one! Written by Rod Crawford Read More »

George Seaton – Miracle on 34th Street (1947)


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Doris Walker a no-nonsense Macy’s executive, desperately searches for a new store Santa. She hires Kris Kringle who insists that he’s the real Santa Claus. But, he has many skeptics like Doris and her six year old daughter, Susan. So Kris goes to court to try and prove it. Is he the real Santa Claus? Written by Kelly Read More »

Sam Peckinpah – The Deadly Companions (1961)


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Quote:
With its small cast, character-driven story, and modest production values, Sam Peckinpah’s first feature film seems very like another of his TV Western dramas–just one that happened to get shot in Panavision. The director’s favorite TV actor, Brian Keith, plays a surly loner named Yellowleg who ventures into Indian country with a dance-hall girl (Maureen O’Hara), the corpse of her little boy, and a pair of marginally human specimens (Steve Cochran and Chill Wills) who more than justify the title. Everybody has, or seems to have, a guilty or shameful secret: Why does Yellowleg keep his hat on? Was Kit (O’Hara) a widow, or a whore? Action, menace, and ethical dialogues come and go pretty much according to TV rhythms, and the visuals and editing are conventional. But there’s enough quirky character work and offbeat mood-making to hint at the singular filmmaker soon to arrive big-time. –Richard T. Jameson Read More »