A young woman by the name of Jeanne Fortier finds herself the victim of a terrible miscarriage of justice
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The first half of the sixties saw a mini-boom of French old melodramas of the nineteenth century.The most celebrated of them “Les Mysteres de Paris” (someone’s reading that book in Cloche’s film) was filmed by André Hunebelle in 1962 with poor results;Riccardo Freda tackled D’Ennery’s “Les Deux Orphelines” (which was made by Griffith as “Orphans of the storm” in the silent era and remade by Maurice Tourneur in the thirties ) and “Roger la Honte” .
Maurice Cloche took “la Porteuse de Pain” (= bread carrier)-which he had already filmed in 1949-and succeeded measurably well;the loooong novel was simplified with good results.Read More »