Tag Archives: Mervyn LeRoy

Mervyn LeRoy – The Bad Seed (1956)

Quote:
Robin Wood located the seeds for the ghoulish moppet’s maternal stabbing in Night of the Living Dead (and The Exorcist, The Omen, The Brady Bunch, et al.) in little Tootie pulverizing the snowmen in Meet Me in St. Louis; roots had already settled by the time Maxwell Anderson’s play about a soulless sprite got transplanted to screens, only the intergenerational anxiety is whipped into safe, static, psycho-babbling kitsch hysteria. Rhoda (Patty McCormick), the pigtailed, 8-year-old devil, skips back home from drowning a schoolmate and asks mom Nancy Kelly for a peanut-butter sandwich; a “perfect little ray of sunshine,” Au Clair de la Lune played on a loop while the handyman (Henry Jones), wise to the monster behind the curtsies, is barbecued in the basement. Read More »

Mervyn LeRoy – A Majority of One (1961)

Mrs. Jacoby, a Brooklyn widow whose only son was killed by the Japanese in World
War II, reluctantly agrees to accompany her daughter, Alice, and her son-in-law, Jerry
Black, on a trip to Japan, where Jerry is to help negotiate a trade agreement. En route by
ship, Mrs. Jacoby’s resentment of the Japanese subsides when she meets Mr. Asano, a
Japanese industrialist whose family also was struck by tragedy during the war. Their
friendship ends, however, when Jerry suspects that Mr. Asano, who is also a
negotiating member of the trade committee, is ingratiating himself with his mother-in-law
for political gain. Read More »

Mervyn LeRoy – I Am a Fugitive from a Chain Gang (1932)

Synopsis wrote:
Warner Bros.’ hard-hitting chain-gang movie was a faithful adaptation of the similarly titled autobiography of Robert Elliot Burns. Paul Muni plays World War I veteran James Allen, whose plans of becoming a master architect evaporate in the cold light of economic realities. Times get really tough when he’s falsely convicted of a crime and forced to work on a chain gang. Read More »

Mervyn LeRoy – Moment to Moment (1965)

This is a good movie in the Hitchcock vein, in which small details form the key to intense pathos. Will the husband notice the thing she mentioned in passing? Will her child inadvertently play with the wrong toy? Will the best friend keep the story straight? It takes a tangled web of lies and omissions to keep silent an impulsive affair–and a possible murder–when everything is so interconnected. No real villains here, but faulted humans trying to be happy, and not upset the house of cards that comprise their private lives. Good performances by Honor Blackman and Jean Seberg. You will be on the edge of your seat, and clutching a hankie at the same time. Read More »

Mervyn LeRoy – Any Number Can Play (1949)

Synopsis:
In this light drama, Clark Gable once again played his stock-in-trade role of a rogue with a heart of gold. Charlie King (Gable) runs a casino, but, in a business that thrives among the unscrupulous, Charlie takes pride in running an honest game and treating his customers with fairness and respect. However, Charlie’s wife Lon (Alexis Smith) doesn’t care if he runs a fair game — she regards gambling as a dirty and corrupt business, and no matter how honest Charlie may be, he’s still involved in a wicked activity. Charlie’s son Paul (Darryl Hickman) is also against him; when Paul gets in trouble and Charlie bails him out of jail, he refuses to leave with him, instead going home with mother. Charlie invites Paul to see what his casino is like, and Lon agrees that Paul should know just what his father does.
— Mark Deming. Read More »

Mervyn LeRoy – Gentleman’s Fate (1931)

Synopsis:
Pre-code melodrama starring John Gilbert as Jack Thomas, rich, penthouse-dwelling playboy with a brand new fiancee named Marjorie (Leila Hyams) and his own English “gentleman’s gentleman” (just given orders to burn his gallery of photos and phone numbers). Called to meet his guardian “Papa Mario”, Jack is informed he has a brother named Frank and a father who has been shot and is calling for his long-lost son from his deathbed. This is all news to Jack who didn’t know about this family at all (he thought he was an orphan). Read More »

John Ford – Mister Roberts (1955)

Plot:
The film represents Henry Fonda’s return to the screen after an absence of seven years, part of which was spent playing the eponymous officer in the immensely successful stage version of Thomas Heggen’s novel. As cargo officer and second in command on a supply ship during World War II, the easygoing Lt. Doug Roberts is excluded from a much desired combat role while playing whipping boy to dyspeptic tyrant Captain Morion (James Cagney). Ensign Frank Pulver (Jack Lemmon), a brash yet cowardly wheeler-dealer, entertains Roberts with his elaborate pranks while the fatherly Doc (William Powell in his last screen appearance) offers advice. The young crew tries every available means of killing boredom, including eyeballing the nurses on a nearby island through a telescope, and Roberts does what he can to get them the R and R they badly need. Read More »