Michel Piccoli

In this stylish French drama fits well into the film noir genre. A visitor comes to the home of Stephane, the wife of an important magistrate. She, claiming attempted rape, calmly shoots him. The visitor is the legendary gangster Wadek Aslanian who was beloved as a latter day Robin Hood. Stephane’s husband hires a lawyer, Paul, to defend her. Paul learns many disturbing things about Stephane’s sordid past when he starts receiving anonymous letters describing her exploits which included prostitution, performing in porno-movies, and most interestingly having a liaison with Aslanian. The judge is ignorant of his wife’s past. Despite her dark and mysterious past, Paul cannot help but fall in love with Stephane.Read More »

Max Baumstein is a reputable businessman, a rich self-made man with a conscience – he founded a highly visible and active international organization fighting against violations of human rights. Why would he commit an act that apparently negates the principles he has striven for so long to uphold? Eventually, he reveals a secret about himself that he kept hidden from his younger wife Lina, and that in a roundabout way concerns her as well. It is the conclusion of a struggle that started many decades earlier, when Elsa Wiener, a German singer exiled in Paris, without money or relations, a refugee among many others, faced two daunting problems: surviving in a foreign city, and saving her husband Michel from the clutches of the Nazis.Read More »

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Themroc is a very unusual 1973 French film by director Claude Faraldo. Made on a very low budget with no intelligible dialog, Themroc tells the story of a French blue collar worker who rebels against modern society, reverting into an urban caveman.

The Themroc history is about a typical middle-aged French worker who rebels against the absurdity of everyday life. He shares an apartment with his ​​mother and sister, every day goes to boring and non-profit work. But one day, all of a sudden, in complete frustration, he destroys all his property, demolishes the walls of his apartment, it literally turns into a cave and starts to act like a Neanderthal. His rebellion, his anti-social activities are amazingly attractive to the neighbors, and they soon begin to do the same. Police trying to find a way to contain his behavior.Read More »

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A child meets his uncle, a Czech Jew living in the south of Germany in the days before the 2nd world war. Without taking care of social prejudices, the uncle marries Martha, his servant. When the Nazis come to the power the young and the couple move to Prague. Then is Martha who defends her marriage to a Jew against the society…Read More »

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“C’est un film simple sur des choses compliquées”, this is how J.L. Godard once described Le mépris : “It’s a simple film about complicated things.”

I. “Totalement, tendrement, tragiquement”
II Cinecittà, “All kinds of real human beings.”
III. Prokosch’s villa in Rome – “About the money and your wife”
IV. In the appartment – “I’m not going, I’m not going”
V. In the theater (where one sells lies)
VI. Capri – “I have to know why you despise me”
VII. “Adieu”
VIII. Ithaque – “Silenzio!”Read More »

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I’m Going Home (French: Je rentre à la maison, Portuguese: Vou Para Casa) is a 2001 French-Portuguese film written and directed by Manoel de Oliveira.

Gilbert Valence (Michel Piccoli) is a grand old theatre actor who receives the shocking news that his wife, daughter, and son-in-law have been killed in a car accident. As time passes, Valence busies himself with his daily life in Paris, turning down unsuitable roles in low-brow television productions and looking after his 9-year-old grandson. When an American filmmaker (John Malkovich) miscasts him in an ill-conceived adaptation of James Joyce’s Ulysses, Valence finds himself compelled to make a decision about his life.Read More »

A detective decides to go undercover and set up a group of robbers, but he may be getting too caught up in the task at hand.Read More »

One influent person make the curves of the sugar price rocket up artificially on the stock market whereas on the other side of the power another person losses all his money when the market crash down after somebody advised him to invest on sugar.Read More »

Quote:
“C’est un film simple sur des choses compliquées”, this is how J.L. Godard once described Le mépris : “It’s a simple film about complicated things.”Read More »