Plot summary:
From Channel 4 Film:
Factory worker Piccoli gets into trouble when he’s caught watching his boss shag a secretary. It’s the final straw. Oppressed by the system, hounded by his mother (Herviale) and bored witless by his menial job, Piccoli cracks. He goes home, takes a sledgehammer to his possessions, turns his room into a cave and starts grunting like a horny Neanderthal before making a move on his sister, Romand.Read More »
Michel Piccoli
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Claude Faraldo – Themroc (1973)
1971-1980Claude FaraldoComedyCultFranceThe Films of May '68 -
Manoel de Oliveira – Party (1996)
1991-2000ArthouseComedyManoel de OliveiraPortugalQuote:
The battle of the sexes? The forces of despair and seduction? On S. Miguel in the Azores, Rogério, a young man with old money, and his enigmatic wife Leonor host a garden party at their villa. The intriguing guests are an older unmarried couple, the philosophical and observant Irene, and Michel, a roué;. While Rogério and Irene talk, Michel and Leonor go down to the sea. The conversations upset Rogério and capture Leonor’s imagination. Five years later, the four dine at the villa. Michel and Leonor again leave the other two. Intentions and undercurrents are subtle. One of the four proves strong, one weak, and two must choose. Wind and rain bring down the curtain on both acts.Read More » -
Claude Sautet – Mado [+Extras] (1976)
Drama1971-1980Claude SautetFranceSynopsis (possible spoilers):
“Middle-aged businessman, Simon Leotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lepidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lepidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems…”
– IMDbRead More » -
Claude Sautet – Les Choses de la vie aka The Things of Life (1970)
1961-1970Claude SautetDramaFranceRomancefrom AMG
After laboring in obscurity for several years, French filmmaker Claude Sautet finally struck a responsive chord with moviegoers in Les Choses de la Vie. The plot isn’t much: the hero, businessman Michel Piccoli, must choose between his wife and his mistress, two women whom he loves with equal fervor. It is what Sautet does with the material that lifts the film above the ordinary. The director puts the central character’s plight in context with his ongoing concerns over his job, his income, and his relationship with his family. In Choses de la Vie Sautet has nothing but the warmest feelings for his characters, which results in more three-dimensionality that might normally be expected in so banal a plotline.Read More » -
Yves Boisset – Espion, leve-toi (1982)
1981-1990Film NoirFrancePoliticsYves BoissetSébastien Grenier,a secret agent eliminates all his rivals in order to decipher who has killed some of his associates.
Sebastien Grenier (Lino Ventura), a former French spy, is working as a financial analyst in Zurich and cultivating an on-going relationship with Anna Gretz (Krystyna Janda), a German teaching at the university. Then his peaceful existence starts to disintegrate when he is recruited by a top French intelligence operative (Michel Piccoli) to discover how one of their own secret agents was found out and executed in broad daylight by a gang of terrorists. Sebastien starts to work but is immediately put off by the fact that his contacts are being murdered before he can reach them. As he gets deeper and deeper into the case, he comes to realize that he is being used in an elaborate political scheme, a scheme that leads to the death of Anna and a vow to get the killers who have now ruined what is left of his life. ~ Eleanor Mannikka, All Movie GuideRead More »
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Vittorio De Seta – L’invitata (1969)
1961-1970DramaItalyVittorio De SetaSynopsis:
When her husband returns from his work abroad with a guest, a young girl, his wife suspects a liaison. She leaves her home. Her boss takes her to the Côte d’Azur. They get closer during the long voyage and the man invites her to his marital home.Read More » -
Marco Ferreri – Dillinger e morto aka Dillinger Is Dead [+Extras] (1969)
1961-1970ArthouseDramaItalyMarco FerreriDescription :
In this magnificently inscrutable late-sixties masterpiece, Marco Ferreri, one of European cinema’s most idiosyncratic auteurs, takes us through the looking glass to one seemingly routine night in the life of an Italian gas mask designer, played, in a tour de force performance, by New Wave icon Michel Piccoli. In his claustrophobic mod home, he pampers his pill-popping wife, seduces his maid, and uncovers a gun that may have once been owned by John Dillinger—and then things get even stranger. A surreal political missive about social malaise, Dillinger Is Dead (Dillinger è morto) finds absurdity in the mundane. It is a singular experience, both illogical and grandly existential.Read More » -
Marco Ferreri – Touche pas à la femme blanche aka Don’t Touch the White Woman (1974)
1971-1980ComedyFranceMarco FerreriWarSynopsis
Marcello Mastroianni stars in this French farce, an absurd “western” set in Paris, with Mastroianni as the incurably vain General George Armstrong Custer. Richard Nixon is the American president, but everyone is costumed appropriately for the previous century. Buffalo Bill (Michel Piccoli), the famous scout, is here portrayed as a limp-wristed bungler. Ugo Tognazzi plays one of Custer’s Native American opponents; he runs a curio shop selling Native artifacts made in sweatshops by white women. The climactic battle is held in a large construction excavation where Les Halles market used to be. The language the two sides use to justify their conflict is lifted from that used in the then-current Vietnam War.
~ Clarke Fountain, All Movie GuideRead More » -
Jean-Luc Godard – Le Mépris AKA Contempt (1963)
1961-1970ArthouseDramaFranceJean-Luc GodardOn Capri, an Italian crew makes a German film of Homer’s Odyssey; Fritz Lang directs with American money. Prokosch, the producer, with his sneer and red Alfa, holds art films in contempt and hires writer Javal to help Lang commercialize the picture. Against this backdrop, we watch the breakup of Javal’s marriage to Camille, a young former typist. It opens with the couple talking in bed, she asking assurance that he finds her attractive. Later that day he introduces her to Prokosch, and, unawares, blunders unforgivably. The rest of the film portrays her, in their apartment and in public, expressing her hurt and change of heart and his slow grasp of the source of her contempt.Read More »